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Article

German, 19th – 20th century, male.

Born 1874, in Hanau; died 1913, in Berlin.

Sculptor, worker in precious metals. Figures. Designs (ceramics/metal objects).

Jugendstil.

Adolf Amberg trained at the academy of fine arts in Berlin. He went to Paris and worked at the Académie Julian, exhibiting at the Salon of ...

Article

German, 20th century, male.

Born 1877, in Munich; died, died during World War I (1914-1918).

Worker in precious metals, metal worker, engraver. Jewellery.

Jugendstil.

Karl Johann Bauer learned metalwork, then worked in Munich for Rothmüller, Lohr & Steinicken. He also took lessons at the Kunstgewerbeschule in Munich. He taught metalwork at the Debschitz Schule, a school of applied art in Munich founded by Wilhelm Debschitz and Hermann Obrist in ...

Article

German, 19th – 20th century, male.

Born 14 April 1868, in Hamburg; died 27 February 1940, in Berlin.

Painter, draughtsman, engraver, architect, designer, decorative artist, graphic designer. Posters, furniture, wallpaper, carpets, glassware, ceramics, table services, jewellery, silverwork, objets d'art, typefaces.

Jugendstil, functional school.

Die Sieben (Group of Seven), Deutscher Werkbund...

Article

German, 20th century, male.

Born 1873, in Breslau (now Wroclaw, Poland).

Worker in precious metals. Designs (jewellery).

Jugendstil.

Arthur Berger was the son of a precious metal worker. After his training he worked in the studio of a jewellery-maker in Dresden. He taught at the Lehr und Versuchswerkstätte in Stuttgart. He worked after designs by Johann Vincenz von Cissarz, Kleinhempel and Karl Gross, among others....

Article

Swiss, 19th – 20th century, male.

Active in Germany.

Born 31 December 1849, in St Gall; died 1921, in Planegg.

Architect, painter, decorative designer, theorist. Designs (furniture/fabrics/metal objects/ceramics).

Jugendstil.

From 1868 to 1871 Hans Eduard von Berlepsch-Valendas was a student of architecture with Gottfried Sempers in Zurich. After graduating he abandoned architecture while he was living in Frankfurt, to go and train as a painter in Munich (...

Article

German, 19th – 20th century, male.

Born 1871, in Perleberg (Brandenburg).

Sculptor, medallist. Busts.

Art Nouveau.

Die Sieben (Group of Seven). Darmstadt Artists' Colony.

Rudolf Bosselt studied in Frankfurt am Main and went on to work in Paris, Darmstadt and, from 1903, Düsseldorf. Rudolf Bosselt received an honourable mention at the ...

Article

Erich G. Ranfft

German medallist, sculptor and writer. He trained in medal arts and sculpture at the Kunstgewerbeschule in Frankfurt am Main (1891–7) and in Paris (1897–9) at the Académie Julian. He dedicated himself to making medals and assimilated the naturalistic and Impressionist styles current in French art, as in his baptismal medal ...

Article

German, 19th – 20th century, female.

Born 23 May 1868, in Munich; died 1940.

Sculptor (bronze), painter. Statuettes, medals, designs (porcelain).

Jugendstil.

Sophie Burger-Hartmann started studying painting in Munich and Paris, but mostly learned her craft by herself. She was married to the Swiss portrait painter Fritz Burger. They lived in Basel at first, then in Berlin from ...

Article

French, 19th – 20th century, male.

Born 1863, in Ars-sur-Moselle; died 1937, in Nancy, in 1913 according to some sources.

Sculptor (stone/marble/bronze), medallist, potter. Figures, architectural views. Monuments, low reliefs, statues, busts.

Art Nouveau.

School of Nancy.

Ernest Bussière exhibited in Paris at the Salon des Artistes Français, where he received an honourable mention in ...

Article

French sculptor, medallist and designer. After studying with the medal engraver Hubert Ponscarmé, he first exhibited at the Salon of 1879. His first significant work, exhibited in 1883, was a bas-relief, Young Woman Suckling her Child; the final version of this, in marble, was later ordered by the State (Aix-en-Provence, Mus. Granet). This work contained most elements of the artist’s aesthetic—the choice of a familiar subject from life, treated in a natural and robust style, in the manner of Aimé-Jules Dalou. From the start Charpentier had a clear mastery of bas-relief, and his best work is in modelled reliefs—medals, small portrait medallions of great warmth and integrity (e.g. Paris, Mus. d’Orsay), mural decorations and works on a monumental scale, such as the frieze of ...