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Article

Italian, 20th century, male.

Born 1900, in Marciana Marina (Livorno); died 1971, in Milan.

Painter, ceramicist, illustrator, scenographer, writer. Stage costumes.

Futurism.

Giovanni Acquaviva studied philosophy and law at the University of Pisa, while devoting himself to illustration at the same time. He founded the Futurist group ...

Article

French painter, writer and administrator . A pupil of Jean-Baptiste Pierre, he was approved (agréé) by the Académie Royale in Paris in 1750 and received (reçu) as a painter of flowers in 1752 on presentation of a Portrait of the King in a Medallion Surrounded by a Garland of Flowers and Attributes of the Arts...

Article

British, 20th century, male.

Born 1910, in London; died 1996, in Firle (East Sussex).

Painter, potter, writer, art historian.

Bloomsbury Group.

Quentin Bell was the son of the painter Vanessa Bell and the art critic Clive Bell. An author, biographer and art historian, he is also well known as an artist. Bell studied at Peterborough Lodge in Swiss Cottage, London, and Leighton Park School in Reading before dropping out at age seventeen to pursue his career as a painter. In ...

Article

Swiss, 19th – 20th century, male.

Active in Germany.

Born 31 December 1849, in St Gall; died 1921, in Planegg.

Architect, painter, decorative designer, theorist. Designs (furniture/fabrics/metal objects/ceramics).

Jugendstil.

From 1868 to 1871 Hans Eduard von Berlepsch-Valendas was a student of architecture with Gottfried Sempers in Zurich. After graduating he abandoned architecture while he was living in Frankfurt, to go and train as a painter in Munich (...

Article

Italian, 20th century, male.

Born 21 May 1887, in Fossombrone (Urbino and Pesaro); died November 1955, in Monza.

Painter, engraver, draughtsman, watercolourist, ceramicist, writer. Mythological subjects, figures, port scenes, urban landscapes, landscapes.

Novecento Italiano.

Anselmo Bucci was a student at the Accademia di Brera in Milan, where he became friends with the painter Dudreville. He went to Paris in 1906, and was soon part of the young artists' set in Montmartre. At the outbreak of World War I in 1914, he left Paris and joined the ...

Article

Susan Compton

French painter, draughtsman, printmaker, designer, sculptor, ceramicist, and writer of Belarusian birth. A prolific artist, Chagall excelled in the European tradition of subject painting and distinguished himself as an expressive colourist. His work is noted for its consistent use of folkloric imagery and its sweetness of colour, and it is characterized by a style that, although developed in the years before World War I, underwent little progression throughout his long career (see.g. ...

Article

French, 19th – 20th century, male.

Born 1855, in Tours; died 1929, in Tours.

Potter, writer, archaeologist.

School of Tours.

Auguste-Alexandre Chauvigné trained with his father Auguste-François, and worked in the same studio. A journalist, novelist, playwright, historian and archeologist, he was a member of the Académie Française and of the Académie d'Agriculture. In ...

Article

French painter, designer and interior decorator. Throughout his career he was an advocate of the importance of art and design for industry and manufacture. In 1830 he was appointed adviser to the Sèvres Porcelain Factory by the director Alexandre Brongniart (1770–1847). There Chenavard made cartoons for stained-glass windows, a stoneware ‘Vase de la Renaissance’ shown at the ...

Article

Willemijn Stokvis

Dutch painter, printmaker, ceramicist and writer. He studied drawing at the Amsterdam Rijksakademie from 1940 to 1943 but taught himself to paint. While at the academy he became a close friend of Karel Appel. His early work was naturalistic, but he began to treat his forms more schematically ...

Article

Christopher Newall

English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808–59). A series of illustrations to Tennyson’s The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver ...