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Article

Romanian, 20th century, female.

Active in Argentina from 1940 and in France from 1961; naturalised in 1981 in France.

Born 27 November 1923, in Bucharest.

Painter, engraver, ceramicist, collage artist. Figures, landscapes. Designs for stained glass.

Neo-Constructivism, Symbolism.

Simona Ertan took classes in drawing, painting and linoleum engraving in Bucharest from 1934 to 1940. At the end of 1940 she left with her family for Argentina and settled in Buenos Aires. There, while continuing to paint, she took classes in aesthetics and pottery. In 1950, her encounter with Picasso's ...

Article

Belgian, 20th century, male.

Born 1933, in Achel.

Painter, potter.

Neo-Constructivism, Conceptual Art.

Research Group.

Jos Jans was educated at the provincial institute of architecture and the applied arts in Hasselt. He was a founder member of the Research Group . Jans was awarded the Limbourg fine arts prize in ...

Article

Russian, 20th century, female.

Born 1889, in Ivanovskoje; died 25 May 1924, in Moscow.

Painter (including gouache/mixed media), collage artist, designer, potter. Nudes, figures. Stage sets.

Suprematism, Constructivism.

Bubnovy Valet (Jack of Diamonds) group.

Liubov Sergueievna Popova came from a cultivated family. She studied in the studios of Stanislav Zhukovsky (...

Article

Hungarian, 20th century, male.

Active in France after 1928.

Born 31 December 1902, in Budapest; died 6 April 1983, in Paris.

Sculptor, painter, engraver, draughtsman, potter.

Constructivism.

Anton Prinner, who was probably born Anna Prinner but lived as a man throughout his life, studied painting at the Budapest school of fine arts in ...

Article

Anna Bentkowska

Polish sculptor, draughtsman, painter, ceramicist, printmaker and tapestry designer. He studied at the School of Fine Arts in Łódź, graduating in 1951. His style derives from Constructivism and from the ‘Unism’ of his teacher Władysław Strzemiński. Starczewski’s complex art uses the complementary treatment in combination with different visual disciplines. He was particularly interested in rhythmic, precise arrangements of forms and signs (e.g. ...