1-10 of 599 results  for:

  • Artist, Architect, or Designer x
  • Ceramics and Pottery x
  • Eighteenth-Century Art x
Clear all

Article

German, 18th century, male.

Active still alive in 1782.

Born 1714, in Zerbst.

Miniaturist.

Brother of E. H. Abel and Ernst August Abel. After working for a time at the royal porcelain manufactory in Berlin, he gave up painting in favour of music, becoming first violinist in Schwerin. His sons Wilhelm, Christian August, and August, were his pupils....

Article

Gordon Campbell

Name of at least four potters in Staffordshire in the late 18th century and early 19th. The most distinguished William Adams (1746–1805) was the founder of Greengates Pottery, where the design and high quality of his jasper ware has led to the mistaken inference that he had been trained by Josiah Wedgwood; in fact he trained with John Brindley, brother of the canal builder James Brindley. His wares, of which some 300 examples are known to survive, are stamped Adams and Co. Apart from jasper ware, he also made underglaze blue-printed ware. He was succeeded by his son Benjamin, who ran the business until its closure in ...

Article

Carlos Cid Priego

Spanish sculptor and ceramicist. He moved to Madrid at an early age and was apprenticed to the French sculptor Robert Michel (i), who was employed at the court. He won first prize in a competition at the Real Academia de Bellas Artes, and organized the royal workshop for the carving of precious stones, where he executed two magnificent cameo portraits of ...

Article

French, 18th century, male.

Painter (porcelain/enamel).

Article

Bernadette Nelson

Portuguese potter and painter. He became director and painting master of the Real Fábrica do Rato in Lisbon after the expulsion in 1771 of the first director Tomás Brunetto. With his predecessor, Almeida is associated with the factory’s most successful and distinctive period. Initially he collaborated with the potter and painter ...

Article

José Meco

Portuguese decorative artist. His apprenticeship was probably undertaken with Master PMP, the painter of glazed tiles. His most important commission between 1729 and 1731 was for the panels of blue and white tiles, made in Lisbon, that cover the lower storey of the cloister of Oporto Cathedral, which represent scenes from the Song of Solomon. These panels are characteristic of the High Baroque phase of tile-making and show an appreciation of theatre and stage design in the deepening landscape backgrounds of the figurative panels, in the bold outlines and in the enlarged ornamental framing. The spectacular arched frames of the Oporto panels were influenced by Roman Baroque architectural ornament....

Article

José Meco

Portuguese decorative artist. He was highly active in the second quarter of the 18th century, during the period when High Baroque glazed tiles were produced in the Lisbon factories. His output was enormous, and his work was distributed throughout Portugal and Brazil. In partnership with his son-in-law, the painter ...

Article

German, 18th – 19th century, male.

Born c. c. 1766, in Heinitz, a village near Meissen; died 1828.

Painter (including gouache/porcelain), draughtsman. Landscapes, flowers.

A pupil of the Meissen porcelain factory's art school, in particular of Christian Lindner, Arnhold was appointed court drawing master and painter. From ...

Article

Gordon Campbell

English porcelain painter who specialized in figures. He is first recorded in the Chelsea Porcelain Factory , and in 1772 moved to the Derby factory. Several attributed works survive, but no known work is signed or otherwise documented.

Article

French, 18th century, male.

Born 1742; died 1803.

Painter (including porcelain), watercolourist.

Charles Éloi Asselin was the head of the painting workshop at the Manufacture de Sèvres (Sèvres Porcelain Factory), where a large gouache canvas has been preserved, depicting an Evening Party, and a small watercolour entitled ...