Town and commune in the province of Potenza, southern Italy. Known for its strategic position on top of a rocky hill, it was a Roman colony and subsequently coveted by Byzantines, Goths, and Lombards. During this time it was under the authority of Benevento, and later on Salerno. It was conquered in ...
Pina Belli D’Elia
Greek, 16th century, male.
Active in Nicaea before 1588.
Painter. History painting, portraits.
According to Zani, Adolus reproduced an old Byzantine painting dating from the 14th century, the Portrait of Epiphanias, Bishop of Constance.
Site of an obscure Early Christian settlement formerly known as Kilclispeen (St Crispin’s Church) in Co. Tipperary, Ireland. The only remains are two outstanding stone crosses and the base of a third (c. 750–900), which are situated in a graveyard below the village. The crosses belong to a well-defined regional group and were constructed of three characteristic elements: a square base with sloping sides, a shaft with an unusually wide ring and a peculiar, rather ill-fitting, conical cap (the latter missing on the south cross). With its capstone, the north cross measures 3.7 m in height. The form of the Ahenny crosses is emphasized by a bold cable ornament along the outer contours. Projecting from the main faces are sculpted bosses, the most prominent feature of the ‘Ahenny school’. The ring and shaft of the crosses are covered with dense patterns of carved ornament, including interlace, spirals, frets, entangled beasts and interlocking men. Much of this decoration can be compared with the metalwork and manuscript illumination of the period, and it appears that the sculptors were in effect transposing altar or processional crosses into stone. With the addition of pigment, the analogy with metalwork would have been complete. In contrast to the shafts and rings, the bases bear figure sculpture in low relief. That on the north cross is best preserved and represents Adam and Eve with the animals in the Garden of Eden, a chariot procession (a theme repeated on other Irish crosses), seven ecclesiastics (possibly symbolizing Christ’s mission to the Apostles) and an enigmatic funeral procession with a headless corpse....
Early Christian monastery on the southern slopes of the Taurus Mountains in Isauria, part of the Roman province of Cilicia in south-western Turkey. It is some 300 m above the main road between Silifke (anc. Seleucia) and Konya (anc. Iconium), 21 km north of Mut (anc. Claudiopolis). From two funerary inscriptions, pottery and coins, the monastery may be securely dated to the reigns of two Isaurian emperors, Leo (...
Russian, 11th – 12th century, male.
Died 17 August 1114.
This artist was a monk who took his name from that of the monastery in the caves of Kiev. He painted images of the oldest saints, having learned his art from the Byzantine painters who decorated the monastery church in ...
Italian, 13th – 14th century, male.
Active Lombard artist, active at around the same time as Giotto.
Andreino da Edesia was probably of Byzantine origin but biographers disagree about the artist. Zani refers to him from 1290 to 1310 and Lomazzo in 1330. The fresco of ...
Italian, 13th century, male.
Painter. Religious subjects.
Of Venetian origin. An Behold the Man ( Ecce Homo) in the Byzantine style is signed Angelus painted this ( Angelus pinxit).
Venice (Mus. Correr): Ecce homo (signed)
(b ?Constantinople, c.
Roman and Early Christian city at the east end of the plain of the Veneto, c. 90 km north-east of Venice and 5 km from the Adriatic coast. Founded as a Roman colony in 181
Byzantine church in Cyprus, situated on the west side of the island, 4 km south-west of the village of Vizakia. The church was originally part of the monastery of the Phorbia (destr.), and a marginal note in a synaxarion copied in Cyprus or Palestine in ...