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G. Lola Worthington

Native American (Navajo) painter. Also known as Hashke-yil-e-dale, Dodge was the son of Bitanny Dodge and grandson of Chee Dodge, the first Navajo Tribal Chairman, who raised him and sent him to Bacone College, Muskogee, OK, and the University of New Mexico, where Dodge earned a degree in anthropology in ...

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Jenifer P. Borum

Sculptor of African American and Native American heritage. Born to Homer and Rosie Mae White, Bessie Ruth White was the seventh of 13 children. She married Charles Harvey at age 14, and moved with him to Buena Vista, GA. She later separated from Harvey and moved to Alcoa, TN, where she settled and raised 11 children as a single mother....

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G. Lola Worthington

Tuscarora artist, writer, educator, and museum director. Hill studied at the Art Institute of Chicago (1968–70), and was awarded a Master of Arts degree from SUNY, Buffalo, NY (1980).

Intrigued with Seneca General Ely Parker (General Grant’s Military Secretary), Hill investigated Parker’s life, which took him to Washington, DC, for two years. Hill began to identify with Parker’s experience and realized he would devote himself to enlightening others about Native American arts, knowledge, education, and culture....

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G. Lola Worthington

Kwakwaka’wakw woodcarver. Hunt’s maternal grandfather, Mungo Martin (Kwa-giulth; 1879–1962), was one of the last living carvers on northern Vancouver Island, founder of the Thunderbird Park program in Victoria and one of the first to formulate Kwakwaka’wakw sculptural and painting styles. His paternal father, George Hunt, was an ethnologist, while his brothers, Tony and Stanley, also worked as woodcarvers....

Article

G. Lola Worthington

Native American (Maidu–Wintu) painter, printmaker, photographer, writer, educator, traditional dancer and poet. LaPena, also known as Tauhindauli, spent time with the Nomtipom Wintu and other regional neighboring elders to conserve and regain traditional cultural practices. He was taught traditional tribal songs, dances and ceremonial rituals of Northern California Native American culture that inspired his interest in reviving and preserving Northern California tribal culture and accompanying performance arts. His work, along with Frank Day (...

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G. Lola Worthington

Native American (Santa Clara Pueblo) potter. A renowned potter and member of the Tafoya family, his father, Camilio Sunflower Tafoya, revived ancestral traditional pottery forms and techniques and his sister, Grace Medicine Flower, was also a successful potter. Camilio produced Santa Clara’s first carved black and brick red pots characteristic of Mimbres pottery. Of his Pueblo upbringing, LoneWolf recalled, “We’d sit in the evenings and do beadwork, drawing, painting, clay modeling, woodworking, costume repairing … while our grandparents told us the old legend and stories.”...

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G. Lola Worthington

Native-American (Long Valley Cache Creek Pomo) basket weaver. Her father, Yanta Boone, was Potter Valley Pomo and her mother, Daisy Hansen, was Losel Cache Creek Pomo, and McKay was raised by her maternal grandmother, Sarah Taylor. Described as an unusually quiet and sickly child, she frequently talked and screamed during her sleep. Hearing her mumble, Sarah, understood Mabel was a Dreamer, an individual contacted by a Spirit. As a medium between the spiritual and the human world, the Spirit directed her to become a healer in her Pomo community and instructed her in techniques of healing and basket weaving. Her baskets represent a tangible object communicated by the Spirit for medicinal treatments....

Article

G. Lola Worthington

Native American (Santa Clara Pueblo) potter. Her father Camilio Sunflower Tafoya, mother Agapita and aunt Margaret Tafoya revived ancestral pottery techniques characteristic of Mimbres pottery. Furthermore, they fabricated superior black and brick red carved-incised pottery forms. A member of the renowned Tafoya family, she, along with her father and brother, ...

Article

Jeff Stockton

American painter and printmaker of Mexican and Yaqui descent (mestizo). Peña’s art celebrated the strength of a native people who met the harsh realities of life in an uncompromising land, and his work was a tribute to the Native Americans who survived by living in harmony with an adversarial, untamed environment. His artwork was inspired by places in the Southwest that were part of an enduring landscape and represented the ancient heritage of the region that is now Arizona and New Mexico....

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G. Lola Worthington

Native American (Navajo) silversmith. Peshlakai is the son of Slender Maker of Silver, Beshtlagai-ithline-athlososigi, and nephew of Peshlagai Atsidfi and Slender Maker Old Silversmith, all foremost of the first generation of named Navajo silversmiths. Recognized among their peers as “innovators” in new forms of jewelry, his family refined and complemented the older Spanish techniques and influences from Mexican plateros. Learning the techniques and expertise of silversmithing from his father and uncles, Peshlakai became single-handedly recognized for his blending of elaborate and high-quality precise silver and turquoise jewelry work techniques. Analogous with his father’s work, he innovated and promoted stamp work and wire twist skills into uncommon, fresh artistry fashioning pieces into pioneering new forms of harmony and sturdiness. Until his death, he refined his silversmith techniques. Commencing his personalized fabrications in the 1920s, his pieces became immensely popular during the 1930s and 1940s, but his finest works were created during a period from1940 through ...