American sculptor and installation artist of Greek birth. Known for his neon environments, he has used light over five decades to explore spatial and temporal relationships. Settling with his family in New York in 1930, he graduated from Brooklyn Community College in 1947. Through the 1950s, he experimented with assemblage and was interested in Abstract Expressionism as well as Arte Povera. In ...
Robert Saltonstall Mattison
American, 20th – 21st century, male.
Born 1947, in New York.
James Biederman was a sculptor at Yale University in the 1970s. He produced Minimalist paintings in the 1980s and then turned to a form of gritty, smudged abstraction that might be considered Abstract Landscapism. He has said that to reach the essence of sculpture, his body must always be moving and readjusting. Sculpture has its own world (simultaneously hiding and revealing fictitious space) and excludes him from that world. He feels both drawn into its kingdom and repulsed by his protuberances and tentacles....
American, 20th – 21st century, male.
Born 1943, in Long Beach (California).
John Laddie Dill was the brother of the sculptor Guy Dill. He studied at the Chouinard Art Institute in Los Angeles from 1964 to 1968. On graduating, he started a framing business with his former classmate Chuck Arnoldi before joining Gemini G.E.I. as an apprentice printer. Here he met Robert Rauschenberg, Roy Lichtenstein and Jasper Johns who were to influence his subsequent work. In ...
American painter. He completed a BA at Trinity College, Hartford, CT, in 1971 and later settled in New York. Initially influenced by Post-minimalism, process art and conceptual art, he was soon attracted to the tactility and allusions to the body in the work of Brice Marden, Robert Mangold and Robert Ryman. Spurred on by the revival of interest in Surrealism in the 1970s, Dunham began to make abstract, biomorphic paintings reminiscent of the work of Arshile Gorky and André Masson, executed with a comic twist enhanced by lurid colours and the suggestion of contemporary psychedelia. In the 1980s he began to paint on wood veneer and rose to prominence in the context of a broader return to painting in the period. ...
American, 20th–21st century, male.
Born 1944, in New York.
Sculptor, draughtsman, photographer, painter, installation.
Land Art, Environmental Art.
Richard Fleischner graduated from the Rhode Island School of Design with a BFA in 1966 and an MFA in 1968, both degrees focusing on sculpture. During the 1970s and 1980s, Fleischner became a leading figure in environmental art....
Revised and updated by Margaret Barlow
American performance artist, video artist, and writer. Graham founded the Daniels Gallery in New York and was its director from 1964 to 1965; there he came into contact with Minimalist artists such as Carl Andre, Sol LeWitt, and Donald Judd. This led him to question the gallery structure and the art displayed and to experiment with conceptual art. From ...
American, 20th – 21st century, female.
Sculptor, lithographer, installation artist.
Maren Hassinger is an adjunct professor at the State University of New York, Stony Brook. She works with wire which she treats as she would textile. Her pieces, which she has described as 'kinetic', seem subjected to the elements and to behave in the way of plants, even set inside a gallery. This is her way of referring to an era when nature was not threatened by human activity and to the rural past of African Americans. She is the author of numerous open-air installations such as ...
Canadian First Nations (Blood/Kainai), 20th–21st century, female.
Born 1953, in Kainai Reserve (Alberta).
Sculptor, installation artist, photographer.
Blackfoot artist Faye HeavyShield received her training at the Alberta College of Art and the University of Calgary (BFA 1986). Her eloquently, sparse aesthetics fall within the tropes of Minimalism, but she favours natural and handmade materials over mass-produced ones. These materials imbue her work with a narrative specificity not usually associated with Minimalism. Drawing on her memories of a traditional upbringing on the Kainai reserve and her education at St Mary’s Catholic School, HeavyShield brings together small repeated, often abstracted, forms to create large sculptures and installations that metaphorically reference the body and landscape. The results are enigmatic works that explore issues of memory, identity and the politics of place. The repetitive dynamic of her work gives it a meditative quality and reminds the viewer that strength is found in ritual and community....
Deborah A. Middleton
American sculptor, painter, and printmaker. Heizer’s earthworks erected in the vast desert expanses of the American Midwest marked the beginning of the land art movement of the 1960s and liberated art from the confines of the art gallery. Heizer’s early experience and exposure to desert landscapes and Native American culture was influenced by his father Robert Heizer, an important American archaeologist, and his maternal grandfather Olaf P. Jenkins, who was an important early American geologist. He attended the San Francisco Art Institute (...
American, 20th century, female.
Born 5 April 1938, in Worcester, Massachusetts; died 8 February 2014, in New York.
Sculptor, installation artist, filmmaker, photographer. Land Art, Environmental Art, Public Art, Post-Minimalism.
Nancy Holt received a BA in Biology from Tufts University in 1960 and then briefly travelled through Europe, before moving to New York City. There, she met influential Minimalist and Post-Minimalist artists, many of whom would become collaborators, including: Carl Andre, Dan Graham, Eva Hesse, Joan Jonas, Donald Judd, Sol LeWitt, Robert Morris, and Richard Serra. Holt’s early artistic output was primarily photography, video, and Concrete poetry, mediums in which she continued to work throughout her career....