Descriptive term applied to a style of decorative arts that was widely disseminated in Europe and the USA during the 1920s and 1930s. Derived from the style made popular by the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris in 1925, the term has been used only since the late 1960s, when there was a revival of interest in the decorative arts of the early 20th century. Since then the term ‘Art Deco’ has been applied to a wide variety of works produced during the inter-war years, and even to those of the German Bauhaus. But Art Deco was essentially of French origin, and the term should, therefore, be applied only to French works and those from countries directly influenced by France....
Informal movement in architecture and the decorative arts that championed the unity of the arts, the experience of the individual craftsman, and the qualities of materials and construction in the work itself.
The Arts and Crafts Movement developed in the second half of the 19th century and lasted well into the 20th, drawing its support from progressive artists, architects and designers, philanthropists, amateurs, and middle-class women seeking work in the home. They set up small workshops apart from the world of industry, revived old techniques, and revered the humble household objects of pre-industrial times. The movement was strongest in the industrializing countries of northern Europe and in the USA, and it can best be understood as an unfocused reaction against industrialization. Although quixotic in its anti-industrialism, it was not unique; indeed it was only one among several late 19th-century reform movements, such as the Garden City movement, vegetarianism, and folksong revivals, that set the Romantic values of nature and folk culture against the artificiality of modern life....
American silversmiths, active in New York. The company was founded by the silversmith Isaac Marquand in 1810, and traded as Marquand & Co. In 1839 the company was bought by Henry Ball, Erasus Tompkins and William Black, and was known as Ball, Tompkins & Black until ...
American sculptor, active in England. He obtained a BFA from Tyler School of Art, Philadelphia, PA, and an MFA from Goldsmiths’ College, London, in 1988. Exploring his interest in the government of behaviour by social constraint, he first used clothes and hair as materials before turning to animal remains and casts of human organs for his increasingly unsettling work. His ...
American medallist of Lithuanian origin. He trained as a seal-engraver under his father and worked as a jewellery engraver and type cutter. In 1890 he went to New York, where he worked as a die engraver of badges, and in 1898 to Paris to study at the Académie Julian and later with ...
Catherine M. Grant and Courtney Gerber
Canadian installation artist active in England. She studied at Goldsmiths’ College, London, graduating in 1988. In the same year she exhibited alongside artists such as Damien Hirst in the influential exhibition Freeze, curated by Hirst. Critics quickly identified the artists in this exhibition, including Bulloch, as the ...
American, 20th century, female.
Born 31 December 1900, in Mooresville (North Carolina); died 2 September 1995, in New Hope (Pennsylvania).
Sculptor (marble/wood/stone/plaster). Historical subjects, figures, portraits, nudes. Coins.
Selma Burke graduated from St Agnes Training School for Nurses in Raleigh, North Carolina, in 1924. Later, she studied art at Columbia University, ceramics in Vienna, and sculpture with Maillol in Paris in ...
Frederick J. Dockstader
Native American Navajo silversmith. He learnt the art as a young man from his half-brother John and an older Navajo, Left Handed Red, then branched out on his own. He became a successful silversmith, and with his wife Mabel was one of the most active craftsmen in the area, not far from the Hubbell Trading Post, AZ. During the fieldwork of ethnographer John Adair (...
American, 20th century, male.
Born 13 May 1904, in Indianapolis (Indiana).
Sculptor, medallist, ceramicist. Busts, low reliefs.
Robert Davidson studied under Albin Polasek and Alfonso Iannelli. He was a member of the Portfolio Club of Indianapolis. He was awarded first prize at the Indiana State Fairs of ...
Native American Haida sculptor, metalworker, printmaker and blanket-maker. He was the grandson of the Haida blanket- and basket-maker Florence Davidson (1895–1993), and great-grandson of the Haida wood-carver Charles Edenshaw. He began carving argillite as a teenager in Masset, and in 1966 he met ...