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Jane Geddes

Deluxe manuscript (Aberdeen, U. Lib., MS. 24) made in England around 1200. It is remarkable for its lavish illustrations, amply covered in gold leaf; for the wealth of its codicological data and for its close relationship to the Ashmole Bestiary. The book was left unfinished, so sketches and the detailed instructions for its colouring and assembly remain visible. The last few pages were completed in the 14th century. The book begins with a Creation cycle of full-page miniatures culminating in ...

Article

Alice Dugdale

Italian architect and theorist. He began his training in 1732 with the architect Martino Buoncore, whose style he later dismissed as ‘Gothic’. However, Buoncore had a good architectural library, in which Gioffredo studied the writings of Palladio, Vitruvius and Vincenzo Scamozzi. During the same period he studied with the painter ...

Article

French antiquarian and art historian. Destined for an ecclesiastical life, he abandoned this to become a scholar, becoming a specialist in Classical and medieval history. He found his vocation as an art historian during the French Revolution, when he carried out an inventory of historical monuments, particularly churches and monasteries, that were in the course of being vandalized. This project led to his imprisonment in ...

Article

Teresa S. Watts

Swiss architect, painter, draughtsman and writer. He served as an engineer in the French army (1748–54) and drew Gothic monuments in Spain (1748) and copied ancient vases and painted idyllic landscapes in Rome (1749–54). He then stayed from 1755 to 1759...

Article

Andrew G. Watson

English palaeographer and librarian. He was one of the greatest palaeographers that Britain has produced, who even as a child enjoyed transcribing manuscripts. He went to Oxford University in 1695 as a protégé of the Bishop of Lichfield and, without taking a degree, became an assistant in the ...

Article

R. Windsor Liscombe

English architect, writer and collector . A ‘profound knowledge of the principles both of Grecian and Gothic architecture’ generated the career of Wilkins, who was also remembered as ‘a most amiable and honourable man’. He promoted the archaeological Greek Revival in Britain and a Tudor Gothic style. More intellectual than imaginative, his architecture was distinguished by a deft and disciplined manipulation of select historical motifs, a refined sense of scale and intelligent planning, outmoded by the time of his death. Besides his architecture and extensive antiquarian writings, Wilkins assembled an eclectic art collection and owned, or had a financial interest in, several theatres in East Anglia....