Brazilian painter. He was the most important painter active in the province of Minas Gerais during the Colonial period. He learnt his craft in the workshop with other artists and from such theoretical treatises as Andrea Pozzo’s Perspectivae pictorum atque architectorum (1693–1700) and such technical manuals as the ...
Myriam A. Ribeiro de Oliveira
Swedish painter, also active in England. He studied at the Kungliga Akademi för de Fria Konsterna in Stockholm from the late 1770s until 1787, when he painted King Gustav III in the prevailing Rococo style. Later that year he visited England, France and Italy, discovering the emergent Neo-classical style as well as the masterpieces of the Italian Renaissance. He then settled in London, working briefly in the studio of ...
Swiss painter. He came of a prosperous Huguenot family and trained to be a merchant before deciding to become an artist. His first tutor was Nicolas Henri Joseph Fassin, who was staying in Geneva at the time; under his guidance, Brun made copies of Flemish masters. In Geneva he became friendly with Pierre-Louis De La Rive, worked in his Geneva studio and accompanied him on a journey to Mannheim and Dresden. In his own painting Brun soon specialized in charming hunting scenes with Rococo overtones in the style of Philips Wouwerman. In ...
Glenn F. Benge
French sculptor. He was the greatest master of lyrical small-scale sculpture active in France in the later 18th century, an age that witnessed the decline of the Rococo, the rise of Romanticism and the cataclysms of revolution. Clodion’s works in terracotta embody a host of fascinating and still unresolved problems, questions of autograph and attribution, the chronology of his many undated designs, the artistic sources of his works, and the position of his lyric art in the radically changing society of his time. Little is known of the sculptural activity of Clodion’s brothers (see ...
Stephen T. Clarke, Harley Preston and Lin Barton
English family of silversmiths, industrialists, collectors, and patrons, of French origin. The family originated from the town of St Pierre on the Ile d’Oléron off La Rochelle. They arrived in London a few years after the Revocation of the Edict of Nantes in 1685, and between ...
Ana Maria Rybko
Italian painter. His father was a merchant in animal skins, and because of his habit of drawing on the hides Giuseppe was nicknamed ‘guastacuoi’. He had a period of apprenticeship with the sculptor Domenico Nolfo in Trapani and continued his studies in Palermo with the painter Padre ...
Flemish sculptor. Until 1770 or 1771 he was apprenticed to Laurent Delvaux. His master’s influence with Charles of Lorraine, the Austrian Governor of the Netherlands, secured for him in 1769 an allowance during his whole period of training. Having moved to Paris and been accepted (...
German faience factory founded in Saxony in 1770 by
Eva B. Ottillinger
Austrian furniture-maker. In 1835 he founded a metal-furniture factory in Vienna; its products extended from garden and park furniture to drawing-room furniture and ornamental figures in the Rococo Revival style. At the Great Exhibition of 1851 in London, Kitschelt, along with Michael Thonet and Carl Leistler, represented the Vienna furniture industry, showing seats, tables and ornamental vases with floral decoration. At the Exposition Universelle of ...
English furniture designer and cabinetmaker. He was recorded as working in the Haymarket, London, from 1760 until 1766, but no furniture documented or labelled from his workshop has been identified. In 1760 he contributed 50 designs to Houshold Furniture in Genteel Taste, sponsored by a Society of Upholsterers and Cabinetmakers, and in the same year he published the ...