Chinese calligrapher, minor painter and seal-carver. He passed the civil service examination to become a jinshi in 1789. He then had a series of official posts, serving on the Board of Justice, as an examiner and as a prefectural magistrate first at Huizhou in Guangdong Province and then at Yangzhou in Jiangsu Province. Yi is generally recognized as a leading figure in the stele studies (...
Elizabeth F. Bennett
Japanese painter, poet, calligrapher and book illustrator. The son of an Edo merchant, he studied calligraphy from a very early age under the noted Chinese-style calligrapher Mitsui Shinna (1700–82). He also received a Confucian education, unusual at that time for a merchant’s son. From about ...
Japanese print designer and book illustrator . He may have been a pupil of the ukiyoe (‘pictures of the floating world’) artist Ishikawa Yukimoto. He is principally known for prints of the following types: hosōban (‘narrow format’, c. 320×150 mm); yakushae (‘pictures of actors’) and bijinga...
Frank L. Chance
Japanese painter and book designer (see fig.). He was the son of the poet Tani Rokkoku (1729–1809). As his father and grandfather were retainers of the Tayasu family, descended from the eighth Tokugawa shogun, Bunchō inherited samurai status and received a small stipend to meet the responsibilities this entailed. In his youth he began studying the painting techniques of the ...
Japanese, 18th century, male.
Born 1716, in the village of Kema, near Osaka; died 1783.
Painter, draughtsman, illustrator, decorative artist. Landscapes, animals. Screens.
Buson was one of the creators of the Nanga (literati) School. It was only at the beginning of the 17th century that the ...
Korean painter, calligrapher and government official. He passed the civil service examination in 1702 and served in various posts before becoming Vice-minister of the Board of Rites. He was also a Neo-Confucian philosopher ( see Confucianism, §2(ii) ). Although he is recorded as having been good at painting, none of his works has survived. On the other hand, the portrait of him by an anonymous painter (Seoul, N. Mus.;) is one of the best-known portraits of the 18th century; in it a hint of the influence of Western painting technique, i.e. the use of chiaroscuro, can be detected. Yi Chae is portrayed in old age wearing a white scholar’s robe with black trimming, called ...
Korean calligrapher and painter of the late Chosŏn period (1392–1910). Although he was a descendant of a distinguished family, because he was born out of wedlock his official post remained that of a civil servant. Along with fellow enthusiasts of pukhak (‘Northern [i.e. Chinese] learning’) such as Pak Chi-wŏn and Hong Tae-yong (...
Japanese, 18th – 19th century, male.
Painter, print artist. Portraits, genre scenes.
Choki was active in Edo (Tokyo) from 1773 to 1811. He was a pupil of Toriyama Sekien and illustrated his master’s books. His portraits, especially of women, are distinguished by the elegance of their drawing and their rich, harmonious colouring. An ukiyo-e artist, he could render a snowfall or a sultry, starlit night with equal lyricism: the influence of Sharaku and Haronubu, among others, can be discerned in his work. He is particularly famous for his portraits of beautiful women in bust form, a new genre in about ...
Japanese seal-carver and calligrapher. The Ikenaga were a powerful provincial family in Odawara, Sagami Province (now Kanagawa Prefect.). In 1593 they moved to Edo, where they ran a pharmacy as well as being the head family of their residential district. Dōun was adopted into the Ikenaga family and became its fifth-generation head. He enjoyed learning from an early age and studied with ...
Japanese Zen monk, painter and calligrapher. He was one of the most important painters of the Edo period (1600–1868), creating hundreds of paintings and calligraphies that revolutionized Zenga (painting and calligraphy by Zen monks from the 17th century to the 20th; see