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Article

A. Gerhardt

Benedictine abbey on the River Enns in Styria, Austria. It was founded in the mid-11th century by Bishop Gebhard from Salzburg, endowed by St Henna von Gurk, Gräfin von Friessach (d 1045), and settled by Benedictine monks from St Peter’s, Salzburg under Abbot Isingrin. The Romanesque minster (consecrated ...

Article

French, 18th – 19th century, male.

Born 1757, in Niort (Deux-Sèvres); died 1828.

Painter, copyist. Religious subjects, mythological subjects, portraits.

His religious and mythological scenes and his portraits sometimes have a lyric quality reminiscent of Delacroix. He is also known for his Schemes for a New System for Promotion of the Arts...

Article

Italian, 18th century, male.

Born c. 1750, in Rome.

Painter, copyist. Religious subjects.

Followed in the footsteps of his mentor Christoph Unterberger, painting chiefly churches, but also produced drawings for subsequent engraving, notably: Christ on the Cross (De la Cour) and Life of Jesus and the Virgin...

Article

French, 18th century, male.

Died c. 1773.

Draughtsman, copyist. Mythological subjects, religious subjects, allegorical subjects, genre scenes, landscapes.

Little is known of Robert Ango's life. He is thought to have worked with Giuseppe Grisoni and above all to have been a friend of Jean-Honoré Fragonard. He was essentially a copyist, basing his work on that of Fragonard, Hubert Robert, Rembrandt and Michelangelo. No works of his own have been identified. A. Ananoff, an expert on the circle of François Boucher, discovered that some drawings thought to be Fragonard originals were really the work of Ango. They do not have Fragonard's lightness of touch and line but appear heavy and confused. Ananoff made the same discovery with regard to drawings by Hubert Robert, which are self-evidently copies by Ango. Ango signed these drawings with an A placed after the date, or he noted the original artist's name, but did not imitate his signature. Most of these copies, Ananoff states, date ...

Article

British, 18th – 19th century, male.

Active in London.

Painter, copyist. Religious subjects, portraits. Miniatures.

An artist by this name figures in the catalogues of the Royal Academy between 1792 and 1829. He is credited with numerous portraits and copies, including Cain and Abel and Jesus and Mary Magdalene...

Article

Persian painter. Known for a large number of painted and varnished (‘lacquered’) bookbindings, penboxes and mirror-cases (see Islamic art, §viii, 10), ‛Ali Ashraf worked in a small floral style with a characteristic motif of pansies or African violets on a black ground. His style, notable for its richness and delicacy, is derived directly from that of his teacher ...

Article

British, 18th – 19th century, male.

Born 1754, in Norwich, baptised 5 June 1754; died 21 or 6 December 1828, in Hatfield, in very reduced circumstances.

Engraver (etching and stippling), illustrator, printmaker, draughtsman. Portraits, architecture, mythology, religious subjects.

The son of John Baldrey the Elder, John Baldrey the Younger entered the Royal Academy School to study engraving in ...

Article

Italian, 17th – 18th century, male.

Born 1632; died 1719.

Painter, copyist.

Giuseppe Balestrieri was a member of a religious order. According to Zani, he lived and worked in Messina, chiefly as a copyist.

Article

Persian painter. He is known for decorations in the margins of manuscripts, copies of European prints and 17th-century paintings, and wash drawings. His subjects range from floral sprays to nudes, such as the watercolour of a sleeping nymph (1765; Dublin, Chester Beatty Lib., cat. no. 282.VI). He contributed paintings and marginal decorations to a sumptuous album (...

Article

Italian, 18th century, male.

Active in Carpi.

Born 1682; died 1767.

Painter, draughtsman, engraver, copyist. Religious subjects.

A skilled copyist who provided templates for two engravings on the theme of the Descent from the Cross by Giuseppe Benedetti of Bologna and Pietro da Belluno.