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Frank Felsenstein

English writer and politician. He was educated at Charterhouse School and Queen’s College, Oxford, receiving his MA in 1693. Between 1699 and 1703 he travelled on the Continent; in his Remarks upon Several Parts of Italy (1705) he noted that Italy was ‘the great school of Musick and Painting’, and a primary purpose of his tour was ‘to compare the natural face of the country with the Landskips the [classical] Poets have given us of it’. His ...

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Andrzej Rottermund

Polish architect and writer, also active in Italy. He probably studied in Rome in the late 1770s and returned to Italy in 1785–6 under the aegis of Stanisław Kostka Potocki, a collector and amateur architect with whom he collaborated throughout his life. In 1786 Aigner and Potocki refronted the church of St Anna, Warsaw, using a giant composite order on high pedestals. The political turmoil of the 1790s disrupted Aigner’s career, but during his second phase of creativity (...

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Helen M. Hills

Italian architect, writer and painter. He trained as a priest in Palermo and entered the Padri Ministri degl’Infermi. Another member of this Order was Giacomo Amato, with whom he worked, although they were not related. While serving as a chaplain Amato studied geometry, architecture, optics and engraving. His earliest known artistic work is a painting on copper of the ...

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Alexandra Skliar-Piguet

French priest, philosopher and writer. He entered the Society of Jesus in 1693, studied theology in Paris, then philosophy at the Collège de Clermont, and he was ordained a priest in 1706. He was a great scholar, who knew Greek, Latin and Hebrew; he devoted himself to philosophical research and poetry, at the same time teaching for the Society of Jesus in numerous institutions of learning in France. A staunch Cartesian, Père André inevitably incurred the hostility of the Society, which was wedded to Scholastic doctrines and Aristotelian philosophy. His innovative philosophical opinions and his suspect theology caused him to suffer various penalties, including imprisonment (...

Article

Pilar Benito

Spanish writer and painter. He was a member of the Real Escuela de la Junta de Comercio in Barcelona, where he was primarily active in a political capacity rather than as an artist and professor in its Escuela de Nobles Artes. He was expelled from the Junta in ...

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Deborah J. Haynes

Hungarian art historian. He studied art history in Vienna with Max Dvořák and wrote a thesis on French Neo-classical and early Romantic painting. After residing for brief periods in Budapest, Florence, Vienna and Berlin, he settled in London in 1933. He never held a regular teaching position but lectured occasionally at the Courtauld Institute of Art. He wrote on Florentine painting in relation to its social setting, on the origins and evolution of Mannerism and on the interaction of Romanticism and Classicism from the French Revolution to the death of Gericault. His interpretative stance, as set forth in ‘Remarks on the Method of Art History’ (...

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Lucio Franchini

Italian architect, engineer and theorist. He graduated from the University of Bologna in engineering and architecture. From 1775 to 1796 he was in Rome, where his design for the new sacristy of St Peter’s (1775) was admired by Pius VI, although the commission was awarded to ...

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Spanish architect, painter and writer. He was trained in architecture by the Jesuits and in painting by Claudio Coello and worked mainly as an architect. Two overdoors showing multiple allegorical scenes of the Battle of Lepanto (1721; Madrid, Pal. Arzobisp.) and a St Barbara...

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Christian Michel

French memorialist and critic . He frequented the well-known literary and artistic salon of Mme Doublet de Persan, sister-in-law of the great collector Pierre Crozat, whose executor he became. He also befriended the most important artists of his time, Charles-Antoine Coypel, Jean-François de Troy, Hyacinthe Rigaud and Nicolas Largillière; and he was a protector of François Boucher, Jean-Baptiste Pierre and Etienne-Maurice Falconet in the early stages of their careers. From ...

Article

French painter, writer and administrator . A pupil of Jean-Baptiste Pierre, he was approved (agréé) by the Académie Royale in Paris in 1750 and received (reçu) as a painter of flowers in 1752 on presentation of a Portrait of the King in a Medallion Surrounded by a Garland of Flowers and Attributes of the Arts...