1-10 of 26 results  for:

  • Art History and Theory x
  • Eighteenth-Century Art x
  • Prints and Printmaking x
Clear all

Article

German, 18th century, male.

Active in Frankfurt am Mainc.1760.

Engraver (burin).

According to the German art historian Philipp Friedrich Gwinner ( Kunst und Künstler in Frankfurt am Main, 1862), Back lived for much of his life in Offenbach. His works are richly praised by Berny de Nogent in his book ...

Article

Italian painter, biographer, draughtsman and engraver. He was a pupil of Giuseppe Varotti (1715–80). While a student at the Accademia Clementina, Bologna, he received two awards, including the Premio Marsili for the Sacrifice of Noah (1758; Bologna, Accad. B.A. & Liceo A.). He pursued literary interests throughout his life and became a member of the avant-garde Accademia Letteraria degli ‘Ingomiti’ in Bologna in ...

Article

Danielle Rice

French amateur engraver, antiquarian, patron and writer. Born into an old aristocratic family, he enjoyed all of the privileges of his class, including a large private income, free time, access to artists and collectors, and mobility. He entered the army and distinguished himself in battle at an early age. In ...

Article

Christian Michel

French engraver, illustrator and writer. He came from a poor family and trained with Guillaume Dheulland (c. 1700–c. 1770) by drawing cartouches for maps. He also had lessons from Pierre-Edmé Babel, a goldsmith and designer of ornament. Having designed mainly cartouches, coats of arms and various types of ornament in the 1750s, he gained recognition as a designer of culs-de-lampe and fleurons, which were considered indispensable for all lavishly produced books. In particular, he produced 57 illustrations for La Fontaine’s ...

Article

James Yorke

English engraver, draughtsman and drawing-master. In 1748 his premises faced Old Slaughter’s Coffee House in St Martin’s Lane, London, a favourite meeting-place for adherents of the new Rococo style. His earliest known satirical print, the Cricket Players of Europe, is dated 1741.

In 1751 he issued ...

Article

Claire Baines

French decorative designer, engraver and architect. In 1747 he was apprenticed to the sculptor Jean-Baptiste Poullet (d 1775), but he seems not to have completed his apprenticeship. By 1767 he styled himself ‘architecte et professeur pour le dessin’. In 1768 he published the first volume of his most important work, the ...

Article

Ismael Gutiérrez Pastor

Spanish painter, engraver and writer. He began his training in Murcia with Nicolás de Villacis (c. 1618–94) and Mateo Gilarte (c. 1620–after 1680), who both worked in a naturalist and tenebrist style. He travelled to Rome in the 1660s and came into contact with the Italian Baroque, especially the work of Pietro da Cortona and Carlo Maratti. On his return he was first in Valencia, where the work of Jerónimo Jacinto Espinosa became a strong influence. Towards ...

Article

Christian Michel

French engraver and writer. He trained as a reproductive engraver with Pierre-François Basan and later with Jacques-Philippe Lebas but soon turned to small-scale engraving. He specialized in the extremely meticulous execution of small portraits; he made more than 100 of these, the most popular being those of ...

Article

British, 18th century, male.

Born 4 June 1724, in Scaleby Castle, near Carlisle; died 5 April 1804, in Boldre (Hampshire).

Painter, draughtsman, engraver, illustrator, theorist. Landscapes, topographical views.

William Gilpin was the brother of Sawrey Gilpin and studied at Queen's College, Oxford. He taught at Cheam School near Sutton ...

Article

Andrea M. Kluxen

German diplomat, theorist, collector and etcher. The brother of the poet Friedrich von Hagedorn (1708–54), from 1735 he served in the Saxon diplomatic service. Travelling through Germany and Austria, he met and corresponded with several artists and art theorists, including Johann Joachim Winckelmann, J. G. Sulzer and Salomon Gessner. His collection of paintings and drawings—primarily Dutch and German 17th- and 18th-century work, especially landscapes—became famous, and his advice on art matters was widely appreciated. In ...