German architect, archaeologist and writer. He was one of the leading figures of Berlin’s architectural establishment in the latter half of the 19th century. On completion of his studies in 1852, he was given the prestigious post of Bauleiter at the Neues Museum in Berlin, designed by Friedrich August Stüler. He subsequently became a lecturer and in ...
Greek painter. He was the son of Eudemos and came originally from Samos, but worked in Athens; none of his work survives. He was said to be self-taught. Vitruvius (On Architecture VII.praef.11) claimed that Agatharchos was the first artist to paint a stage set on wooden panels. This was for a tragedy by ...
Greek, 19th century, male.
Born 1852, in Athens; died 1878.
Painter. Waterscapes, seascapes.
A friend of the architect H.C. Hansen, Altamura visited Copenhagen where he attended the fine arts academy from 1873 to 1876. He was primarily a painter of seascapes.
Copenhagen, 3 June 1976...
Greek architect and astronomer. He is associated with a single building, the Tower of the Winds (Horologion) on the edge of the Roman agora in Athens, of which he was named the architect by Vitruvius (On Architecture I.vi.4). This elegant and ingenious small marble octagonal building was designed externally as a monumental sundial and weather-vane, with a representation of each of the eight winds carved on the sides of the octagon; at the apex of the roof was a bronze Triton that acted as a weathercock. The interior of the building contained a complicated waterclock; apart from the Triton and the clock, the building is well preserved. Andronikos’ home town of Kyrrhos appears to be that in Macedonia, rather than the town of the same name in Syria, because a sundial from the island of Tenos carries an epigram in honour of its maker, who is named as Andronikos of Kyrrhos in Macedonia, son of Hermias, and compares him with the famous Hellenistic astronomer Aratos of Soli in Cilicia (...
4th century, male.
Pliny Antenorides was, with Euphranor, a follower of Aristides - though not Aristides the famous painter of the time of Alexander but probably the grandfather of the latter and an architect, sculptor and painter. Nothing is known of the works of Antenorides....
T. F. C. Blagg
Roman architect. His first known work, and possibly his training, was in military engineering. He constructed the 1135-m-long bridge across the Danube (nr Turnu Severin, Romania) in
5th century, male.
Active in Attica in the second half of the 5th century BC.
Stone worker, sculptor (?).
Archedemus was involved with the transformation of one of the largest natural grottoes to the south of Mount Hymettus (near the modern village of Vari) into a sanctuary dedicated to Pan, the Nymphs and the Charites (the Graces). At the foot of the central wall of the grotto, Archedemus has depicted himself (?) in his working clothes, with his pointed hammer and set square....
Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time....
6th century, male.
Active during the second half of the 6th century BC.
Born in Magnesia ad Maeandrum.
Bathycles, like many other Ionians in Asia, moved westwards under the threat from the Medes as first Lydia and then the coastal towns fell. He came eventually to work in Greece. Around 530 BC, he designed the vast decorative construction known as the ...
2nd century, male.
Born in Laconia.
Sculptor, architect (?).
Batrachus, with his compatriot Sauras, is mentioned by Pliny in his discussions of sculptors in marble ( Natural History 36. 42) as the builder of the temples of Jupiter Stator and Juno Regina. According to Pliny, because the two artists' names did not feature in the act of consecration, they signed their work by carving 'in columnarum spiris' (on a twisted column) a frog (batrachus) and a lizard (saurus). Quite apart from the matter of their curious (but not impossible) names, the anecdote still seems unlikely to be true. Firstly, it does not appear to have been the custom in the 2nd century BC to mark the consecration of temples with an inscription. Secondly, we know from Vitruvius the name of the architect who built the temple of Jupiter Stator: the Cypriot Hermodorus of Salamis. If they ever existed, Batrachus and Sauras were probably just ordinary decorative sculptors....