1-6 of 6 results  for:

  • Painting and Drawing x
  • Eighteenth-Century Art x
  • Islamic Art x
Clear all

Article

Persian painter. He produced at least ten full-size oil paintings of the Qajar monarch Fath ‛Ali Shah (reg 1797–1834). One of the earliest (1797–8; Calcutta, Victoria Mem. Hall), a portrait of him kneeling on a carpet, was probably sent as a present to the amirs of Sind in ...

Article

Persian painter. Known for a large number of painted and varnished (‘lacquered’) bookbindings, penboxes and mirror-cases (see Islamic art, §viii, 10), ‛Ali Ashraf worked in a small floral style with a characteristic motif of pansies or African violets on a black ground. His style, notable for its richness and delicacy, is derived directly from that of his teacher ...

Article

Persian painter. Reportedly a native of Isfahan, he was employed by the Qajar family at Astarabad, as indicated by a signed drawing of a dragon and phoenix (1788–9; ex-Pozzi priv. col.). After Agha Muhammad (reg 1779–97) ascended the throne, Mirza Baba worked at the Qajar court in Tehran in a wide variety of materials, techniques and scales. His oil portrait (...

Article

Persian painter. He is known for decorations in the margins of manuscripts, copies of European prints and 17th-century paintings, and wash drawings. His subjects range from floral sprays to nudes, such as the watercolour of a sleeping nymph (1765; Dublin, Chester Beatty Lib., cat. no. 282.VI). He contributed paintings and marginal decorations to a sumptuous album (...

Article

S. J. Vernoit

Persian painter. He was the most prolific painter in enamels at the court of the Qajar monarch Fath ‛Ali Shah (reg 1797–1834), but unlike his contemporaries Baqir and ‛Ali, Muhammad Ja‛far did not attach a title to his name when he signed his work. One of his earliest works is an inkpot for a penbox (...

Article

Persian painter. The foremost painter at the court of Karim Khan (reg 1750–79), the Zand ruler in Shiraz, he worked in a variety of media, from large oil paintings to miniatures, and painted and varnished (‘lacquered’) objects. His name has become synonymous with the Zand style. His reputation was so great that many works by different hands have been attributed to him. Works signed with his name range in date from the 1730s to the 1790s, an improbably long time, and it is likely that some are by other artists. Muhammad Sadiq was apparently a pupil of ...