1-10 of 4,151 results  for:

  • Painting and Drawing x
  • Eighteenth-Century Art x
  • Nineteenth-Century Art x
Clear all

Article

British, 18th – 19th century, male.

Born 1763, in Exeter; died 1851.

Painter, watercolourist, engraver, draughtsman, illustrator. Landscapes with figures, natural history (animals/insects).

John White Abbott took up painting initially as a hobby but became well known for his landscapes with animals and human figures. He was particularly influenced by the lesser Dutch masters, notably Peter de Laes. His work sufficiently impressed contemporaries such as Sir Joshua Reynolds and Benjamin West that they urged him to exhibit at the Royal Academy, and he submitted work to the Academy between ...

Article

Susan Morris

English watercolourist, painter and apothecary. He was nephew of the prominent lawyer John White (1744–1825). An important patron of Francis Towne, he spent his entire career in Exeter as an apothecary and surgeon. Abbot was a keen amateur artist, taking lessons from Towne, but although he was an Honorary Exhibitor of landscape oils at the Royal Academy, London, from ...

Article

Isabelle Denis

French painter. He was the natural son of Alexandre de Pujol de Mortry, a nobleman and provost of Valenciennes, but did not use his father’s name until after 1814. He trained first at the Académie de Valenciennes (1799–1803), then at the Ecole des Beaux-Arts, Paris, and in the studio of ...

Article

Andrzej Ryszkiewicz

Austrian painter. He studied at the Akademie der Bildenden Künste in Vienna under Jakob Matthias Schmutzer (1733–1811) from 1783. On the advice of his mentor, Heinrich Füger, Abel turned from landscape to history painting, winning a gold medal in 1794 for Daedalus and Icarus...

Article

German, 18th – 19th century, male.

Born 22 August 1764, in Aschach; died 1818, in Vienna.

Painter, engraver. Mythological subjects, portraits.

Joseph Abel's remarkable abilities became evident at a very early age. Taken on by Füger, he made such rapid progress that he was soon painting. He caught the attention of the head of the Czartoryski family, who took the young artist to Poland. There he did various works before moving to Rome, arriving in ...

Article

Danish, 18th – 19th century, male.

Born 1743, in Copenhagen; died 1809, in Copenhagen.

Painter. History painting, allegorical subjects, mythological subjects, figures.

Nikolai Abildgaard was first taught by his father, the distinguished draughtsman Søren Abildgaard. He was then sent to the Kongelige Danske Kunstakademi in Copenhagen, where he won the 'great gold medal' (awarded two years after the gold medal). Shortly afterwards he went to Italy, where he spent six years, visiting the major art centres and studying the old masters. He stayed mainly in Rome, where he made copies of Raphael, Michelangelo and Titian, and met Jens Juel, Tobias Sergel, and Henry (Johann Heinrich) Fuseli....

Article

Jens Peter Munk

Danish painter, designer and architect. His paintings reveal both Neo-classical and Romantic interests and include history paintings as well as literary and mythological works. The variety of his subject-matter reflects his wide learning, a feature further evidenced by the broad range of his creative output. In addition to painting, he produced decorative work, sculpture and furniture designs, as well as being engaged as an architect. Successfully combining both intellectual and imaginative powers, he came to be fully appreciated only in the 1980s....

Article

German, 18th – 19th century, male.

Active at the end of the 18th and at the beginning of the 19th century.

Born probably in Kempten.

Painter.

He was still working in Ulm in 1812.

Article

British, 18th – 19th century, male.

Active at the end of the 18th and at the beginning of the 19th century.

Painter, engraver. Architectural views.

S. Acton lived in London between 1791 and 1802 and exhibited at the Royal Academy.

Article

Italian, 18th – 19th century, male.

Born 30 April 1764, in Milan; died 11 February 1849, in Florence.

Painter, draughtsman (including ink), watercolourist, engraver (line-engraving). Allegorical subjects, historical subjects, battles, genre scenes, scenes with figures. Decorative schemes, church decoration, decorative designs.

After studying in Milan and Rome, Ademollo was invited to Florence to decorate the Teatro della Pergola (which has since been destroyed). He settled in Florence until his death and was widely regarded as one of the neo-classical masters of the Tuscan School. At the start of his career, he painted principally arabesques, but went on to develop his technique to the point where Ferdinand III commissioned him to decorate the Pitti Palace and to paint historical and allegorical subjects for its individual rooms. One of his best-known works is ...