French term used to describe a range of European borrowings from Japanese art. It was coined in 1872 by the French critic, collector and printmaker Philippe Burty ‘to designate a new field of study—artistic, historic and ethnographic’, encompassing decorative objects with Japanese designs (similar to 18th-century ...
Japanese, 16th – 17th century, male.
Active in Kyoto.
Born 1558; died 1637.
Painter, potter, draughtsman, calligrapher, decorative artist. Portraits, flowers.
Koetsu, a great calligrapher, painter, potter, decorator and patron of the arts, played a major role in the cultured world of Kyoto in the early 17th century. At this period, the city’s great merchants, grown wealthy from trade with China, were active in the cultural life of the city, giving themselves over to the tea ceremony, flower arranging, poetry and calligraphy. Koetsu was born into this potent environment to a celebrated family of sword polishers and appraisers who enjoyed the trust of the Ashikaga governors. He received a scrupulous education and followed in his father’s footsteps, while cultivating the art of calligraphy. With Konoe Nobutada and Shokado Shojo, he is reckoned as one of the Three Brushes of the early century. His art signals a return to the elegant calligraphy of the Heian period (794-...
Literally a Barbary ape, but used in a transferred sense to denote a grotesque Chinese or Japanese figurine (typically in porcelain or ivory) represented in a sitting position.S. Situ: Le magot de Chine: Ou Trésor du symbolisme chinois: A la recherche du symbolisme dans les motifs de ‘chinoiseries’...
Chinese funerary wares made from the Han dynasty (206