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Margaret Medley

English diplomat, collector and art historian. In 1947, as a member of the British Diplomatic Service, he was posted to Nanjing, Jiangsu Province, then the capital of the Nationalist Chinese government. He became interested in Chinese art and history and began a collection of porcelain, furniture and textiles at a time of political and economic uncertainty, when Chinese collectors were forced to sell. When he moved to the British embassy in Beijing in ...

Article

Christophe Spaenjers

Set of financial methods, instruments, and business models that are used in the Art market. Important developments since the 1960s include the spreading availability and use of art price information and price indexes (see Art index), the emergence of loans collateralized by artworks, repeated efforts to create art investment structures, and a strong growth in art market advisory services provided by wealth managers and new entrepreneurs (...

Article

Ken Brown and Karen L. Brock

Shogunal dynasty that ruled Japan during the Muromachi period (1333–1568). According to the anonymous Taiheiki (‘Chronicle of great peace’; ?1370–71), Ashikaga, the name of a town in Shimotsuke Province (now Tochigi Prefect.), was taken as a family name by a branch of the military Minamoto family. The Ashikaga came to power when the first Ashikaga shogun, Takauji (...

Article

S. J. Vernoit

English civil servant and collector of Islamic and Chinese art. The eldest son of Sir Thomas Barlow, royal physician and president of the Royal College of Physicians, he was educated at Marlborough and Corpus Christi College, Oxford. In 1906 he was appointed to a clerkship in the House of Commons, by ...

Article

Mary M. Tinti

American art dealer, gallery owner, artist advocate, and famed promoter of 1960s avant-garde art. An only child, Bellamy’s Chinese mother instilled in her son a love of music and literature, which he credited with helping to shape his early conceptions of art and beauty. Upon completing his first semester at the University of Ohio, Cincinnati, Bellamy dropped out and moved east to explore the collegial arts community of Provincetown, MA. After working a string of seasonal jobs, Bellamy uprooted himself yet again and relocated to New York City, where he began a remarkable career in the gallery world. By the early 1950s, Bellamy began an affiliation with the Hansa Gallery arts cooperative, where he soon took on the position of director, overseeing such artists as Wolf Kahn, ...

Article

Gabriel P. Weisberg

French art dealer, critic and patron, of German birth. Often misnamed Samuel, he was a major promoter of Japanese art and Art Nouveau. From a wealthy, entrepreneurial Hamburg family, he trained as an industrial decorator for ceramics under the guidance of his father and independently in Paris during the Second Empire (...

Article

Carol Michaelson

Chinese dynasty that ruled in southern China between ad 557 and 589. It was the last of the so-called Six Dynasties (222–589), who were the ‘legitimate’ successors to the Han dynasty (206 bcad 220) and made Jiankang (now Nanjing) their capital.

In 557 Chen Baxian (later Emperor Wudi; ...

Article

Junghee Lee

Korean dynasty that ruled the Korean peninsula from 1392 to 1910. The founder of the dynasty, Yi Sŏng-gye, posthumously known as King T’aejo (reg 1392–8), established Neo-Confucianism as the official ideology, encouraging a modest and practical lifestyle. Thus the patronage of extravagant art was discouraged, and the status of the artist was reduced. Buddhism was often zealously suppressed but remained the private religion of the palace women, the common people and even some kings. ...

Article

David S. Brooke

American collector. Clark was educated at Sheffield Scientific School, Yale University, and served in the US Army from 1899 to 1905. He led an expedition to northern China in 1908–9 and published an account of it, Through Shen Kan, with Arthur Sowerby in 1912. He settled in Paris in ...

Article

Lillian B. Miller

American businessman, collector, patron and dealer. He began collecting art in 1869 with paintings by American Hudson River school artists and conventional European works, Chinese porcelain, antique pottery and 17th- and 18th-century English furniture. By 1883 his taste had focused entirely on American works, especially on paintings by ...