Swiss painter and sculptor. From 1884 to 1886 he received irregular lessons from the Swiss painter Frank Buscher (1828–90). In the autumn of 1886 he attended the Akademie der bildenden Künste in Munich and the following year met Giovanni Giacometti, who was to be a lifelong friend. In ...
Swiss, 19th – 20th century, male.
Born 28 March 1868, in Solothurn; died 1961, in Oschwand (Bern).
Painter, watercolourist, pastellist, engraver, lithographer, sculptor. Figure compositions, portraits, landscapes, still-lifes.
Die Brücke group. School of Pont-Aven.
Cuno Amiet began his artistic training under Frank Buchser in Feldbrunnen from 1884 to 1886. From 1886 to 1888 he trained at the academy of fine art in Munich. From 1888 to 1891 he trained under the guidance of William Bouguereau and Tony Robert-Fleury at the Académie Julian in Paris. Up to that point he had been influenced by Impressionism, which was still very much in evidence. Then in 1892, he went to Pont-Aven and made contact with O'Connor, Émile Bernard, Sérusier and Armand Seguin. They introduced him to the ideas and techniques suggested by Gauguin to those who would soon be classed as the École de Pont-Aven. They would also call themselves 'Nabis'....
German, 20th century, male.
Born 1880; died 1966.
Die Brücke group.
Fritz Bleyl was an architecture student at the Dresden technical high school. He met Ernst Ludwig Kirchner, Erich Heckel and Karl Schmidt-Rottluff, together with whom he founded
German, 19th century, male.
Born in Stralsund.
Painter. Genre scenes, landscapes, seascapes, architectural views.
Brücke worked in Berlin around 1840 to 1845.
Hanover: Views of the New Guards Barracks in Berlin; View of the Palace of Frederick William III; View of the Palace of King Ernest August of Hanover in Berlin...
German architect, urban planner and teacher. He studied architecture at the Technische Hochschule, Berlin (1939–42), returning there to the Technische Universität (1947–8) after service in World War II and a period as a prisoner of war in England. He worked in the city building department of West Berlin from ...
N. A. Furness
German art historian. Although he had received a conventional classical education at the Kreuzschule in Dresden and was awarded a DPhil by the Universität Leipzig in 1913 for a dissertation on 18th-century German drama, he was drawn to the study of art by exhibitions of painting by Die Brücke in Dresden in ...
German painter, printmaker and sculptor. He was one of the founders of the group
Heckel began painting and drawing as a schoolboy in Chemnitz, where he became a friend of ...
German, 20th century, male.
Born 31 July 1883, in Döbeln (Saxony); died 1970, in Radolfzell.
Die Brücke group.
Erich Heckel studied architecture at the technical university in Dresden in 1904-1905; his fellow students included Kirchner, Fritz Bleyl and Karl Schmitt-Rottluf. As a group they were passionate about the ferment of artistic expression resulting from the Munich Jugenstil movement, which would later come to be regarded as one of the wellsprings of 20th century art. Heckel settled in Berlin on his return from World War I, having served in the medical corps in Belgium for the duration. In 1937, the Nazis confiscated 729 of his canvases, declaring his work 'degenerate'. During World War II, his studio was destroyed in a bombardment in 1944, and he then settled in Hemmenhofen. After the war, he was appointed professor at the academy of arts in Karlsruhe from either 1945 or 1949 to 1954....
Lucius Grisebach and Lin Barton
German painter, printmaker, and sculptor. He is one of the most important representatives of Expressionism (see Expressionism, §1). He was the leading figure in Brücke, Die, which was active in Dresden and Berlin from 1905 to 1913. His pictures of urban life have become the incarnation of the nervously agitated modern state of mind in Europe on the eve of World War I. After ...
Lithuanian draughtsman, printmaker and illustrator. He studied at the Lithuanian State Institute of Art in Vilnius (1952–8) and taught there from 1961. During the early 1950s his drawing was impressionistic, as in Portrait of My Wife (1959; artist’s estate). He was also a follower of German Expressionism, as represented by the group Die Brücke. Towards the 1960s he developed two different styles of illustration: the first consisted of flat, flowing lines, used mainly in linocuts; the second consisted of sculptural shapes expressed in woodcuts. Krasauskas gradually moved towards the embodiment of abstract ideas in his work and became interested in zincography. From the mid-1960s he used his linear style to indicate the masculine creative principle and the sculptural to indicate eternal life, the feminine principle. The unpublished series of linocuts illustrating the Song of Songs (...