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British, 20th – 21st century, male.

Born 27 July 1926, in London; died 16 December 2004.

Painter, draughtsman. Landscapes, domestic life.

Social Realism, New Realism.

Peter Coker studied in London at St Martin’s School of Art (1941-1943) before enlisting in the Fleet Air Arm (...

Article

South African, 21st century, male.

Born 29 October 1976, in Johannesburg.

Photojournalist, documentary photographer. Portraiture, landscape, social groups.

Pieter Hugo worked in the film industry until 1999, when he started freelancing as an editorial photographer. After publishing in Colors, an influential photo magazine, Hugo in ...

Article

South African, 20th–21st century, male.

Born 18 January 1932, in Vrededorp, Johannesburg.

Photojournalist, documentary photographer. Figures, social conflict, traditional customs.

Peter Magubane grew up in Sophiatown, a mixed-race suburb in Johannesburg razed by apartheid authorities in 1955. Employed as a messenger and driver by Drum...

Article

Anis Farooqi

Indian painter and printmaker. She studied painting at the Sir Jamshetjee Jeejebhoy School of Art, Bombay, in 1964–9; she also worked in a studio at the Bhulabhai Memorial Institute, Bombay, between 1964 and 1967 with other painters, including performing artists. On a French Government scholarship she studied in Paris in ...

Article

Canadian First Nations (Inuit), 20th–21st century, female.

Born 1969, in Cape Dorset (Nunavut).

Graphic artist (felt pen, crayon, pencil), printmaker (lithography, stone cut). Contemporary Inuit domestic scenes, social realism.

Active in Cape Dorset from the 1990s, Pootoogook moved to Ottawa after becoming the first indigenous artist to win the prestigious Sobey Art Award in ...

Article

Native American (Diné/Navajo), 20th–21st century, female.

Born 1966, in Ganado (Arizona).

Printmaker, sculptor, painter.

Political and social realism, abstraction, post-colonial themes.

Melanie Yazzie uses a variety of media including photography, sculpture, print, and paint to create personal, autobiographical and socio-political works. Using her Diné heritage as a source of inspiration, her practice draws attention to many key issues facing indigenous peoples. Themes have included issues of racism, misogyny, identity problems, poverty and abuse. Later works have concentrated more on personal issues and storytelling and touch on traditional, contemporary and imagined themes, including depictions of ceremonial life and ritual. Yazzie often collaborates with artists from other indigenous nations in order to raise further awareness and create shared experience through art practice....