Spanish painter, sculptor and printmaker. After studying at the Escuela Superior de Bellas Artes in Madrid he came under the influence of Pop art during a stay in London in 1965. On settling again in Madrid in that year he began to concentrate on images of movement, as in the screenprint ...
M. Dolores Jiménez-Blanco
Brazilian painter and printmaker. After studying engraving in São Paulo, he moved to New York in 1959 to complete his studies at the Pratt Graphic Center, where his contact with international Pop art merged with his own interest in Brazilian popular imagery, for example in the portfolio of woodcuts ...
Canadian First Nations (We Wai Kai/Cape Mudge Band), 21st century, male.
Born 1975, in Richmond (British Columbia).
Painter, sculptor, printmaker, photographer.
The aesthetic of Sonny Assu (Liǥwilda’x̱w/Laich-kwil-tach) is a confluence of Northwest Coast formline motifs and popular Western culture. He is well versed in the traditional Kwakwaka’wakw arts of drum, blanket and basket making and uses these as the starting place of many of his artworks. Drawing on a pop sensibility, mass-media culture is used as a conduit to explore and expose these Kwakwaka’wakw traditions as well as the artist’s own mixed heritage. By bringing these seemingly desperate elements together, Assu’s works challenge popular notions of authenticity regarding Indigenous people and their art. Moreover, while the works may appear whimsical at first glance, they offer a sharp critique of Western society’s culture of consumption as it relates to colonisation, both historical and ongoing, in North America....
English sculptor, draughtsman and printmaker. He studied at Luton College of Technology and Art from 1957 but abandoned the course in 1959, working instead on the assembly-line of the Vauxhall car factory in Luton for 18 months. The experience of helping to build beautiful, machine-made objects on the shop floor proved decisive on his choice of materials for his first sculptures in ...
Canadian, 20th – 21st century, male.
Born 1957, in Toronto (Ontario).
Neo-Conceptual Art, Appropriation Art.
Alan Belcher lives and works in Toronto and New York. In the Pop Art tradition, Belcher uses advertising images, meaningfully exploiting their powers of enticement. His work consists of glossy colour photographs that are usually pinned, screwed, nailed or wrapped around various objects made of Plexiglas, metal or wood. By using the seductive colours of publicity photographs, and their perfect finish, Belcher's sculpture works on two levels. On one, he denounces marketing's manipulative wiles; on the other, he creates works of art that are almost Minimalist in their simplicity of form. Since ...
American, 20th – 21st century, male.
Born 1959, in Barbados.
Sculptor, installation artist.
Neo-Conceptual Art (Neo-Geo), Appropriation Art, Neo-Pop Art.
Ashley Bickerton lives and works in Los Angeles. He arrived on the American art scene in the mid-1980s. With Peter Halley, Jeff Koons and Meyer Vaisman, Bickerton, he belongs to the group of artists known as the ...
Swedish, 20th – 21st century, male.
Born 1957, in Stockholm.
Painter (mixed media).
Ernst Billgren studied at the Valand art academy (1982-1987). HIs paintings are presented with a flourish not dissimilar to Pop Art practices, the complexity of which adds a theatrical, distancing dimension. He has had many solo exhibitions in Sweden, and has participated in collective exhibitions in Sweden, Norway, Germany, Brasil and Mexico....
English painter and printmaker. From 1962 to 1967 he studied at the University of Newcastle upon Tyne under Richard Hamilton, also benefiting from contact with visiting tutors such as Pop artists Richard Smith (for whom he later worked as an assistant), Joe Tilson and Eduardo Paolozzi. As a student at the University of Reading from ...
Asian American mixed-media and installation artist and cultural activist. Ken Chu came to the United States from Hong Kong in 1971, settling in California where he received a BFA in film studies from San Francisco Art Institute (1986). Relocating to New York City after graduation, his encounters with local Asian American artists, activists and cultural organizations supported his artistic efforts, in which he often drew upon subjects that emerged organically from personal experience in the US as a gay Asian man. Adopting popular cultural idioms from film and comics, while also drawing upon symbols and motifs from Chinese and other Asian cultures, his imagery from this pivotal period featured Asian men cast as prototypically American masculine figures, such as California surfers and cowboys, who populate colorful, imaginary scenarios of cross-cultural contact, mixing and desire. In Western societies, where the dominant norms are non-Asian and few viable role models for Asian men exist, Chu’s art strongly asserted their collective presence and place. His socially inspired work has since also engaged matters of anti-Asian violence, internalized racism, stereotyping, homophobia and the impact of AIDS on Asian diasporic communities....
Australian, 20th – 21st century, male.
Bob Clutterbuck's work consists of slogans that have been cut out of newspaper articles and other printed material combined with drawings that recall traditional aboriginal art.
Adelaide (AG of South Australia): Stop the Merchants of Nuclear Death...