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French, 20th century, male.

Born 1904, in Paris; died 27 August 1967, in Perros-Guirec (Côtes-d'Armor).

Sculptor (including bronze), engraver (burin). Monuments, designs for tapestries, stage costumes and sets.

Henri Adam's father, a goldsmith and jeweller, taught him the rudiments of the trade while he was studying at the Collège Lavoisier. He also took classes in drawing, first at the École Germain-Pillon and subsequently at the Atelier de la Ville de Paris in Montparnasse, before moving to the École des Beaux-Arts. He exhibited various paintings between ...


Polish, 19th – 20th century, female.

Active in France.

Born in Lopatynka.

Sculptor, medallist. Busts.

A student of Falguière and of the medal engraver Daniel Dupuis, Iza Albazzi exhibited at the Salon des Artistes Français in Paris from 1896 to 1923 and was honoured for medal engraving in ...


British, 20th century, male.

Born 13 November 1914, in Fulham, London; died 12 June 2000, in Aberdeen.

Painter, lithographer, wood engraver, poet. Still-lifes, landscapes, portraits.

Leonard Appelbee studied under Clive Gardiner at Goldsmiths College from 1931 to 1934, and under Barnett Freedman at the Royal College of Art ...


Belgian, 20th century, male.

Born 1883, in Brussels; died 1975.

Painter, engraver, sculptor, medallist. Landscapes, still-lifes.

De Bast attended the École St-Luc and the art academies of Brussels and Mechelen. He became head of production at the national stamp printing studio of Belgium.


German, 20th century, male.

Born 1877, in Munich; died, died during World War I (1914-1918).

Worker in precious metals, metal worker, engraver. Jewellery.


Karl Johann Bauer learned metalwork, then worked in Munich for Rothmüller, Lohr & Steinicken. He also took lessons at the Kunstgewerbeschule in Munich. He taught metalwork at the Debschitz Schule, a school of applied art in Munich founded by Wilhelm Debschitz and Hermann Obrist in ...


British, 20th century, male.

Born 1944, in Leeds.

Painter, draughtsman, engraver.

From 1967 to 1974, Glen Baxter studied at the Victoria and Albert Museum. From 1974 to 1986, he was an assistant art lecturer at Goldsmiths College, London. Unlike the many contemporary artists who have been inspired by American cartoon strips, Baxter - like the French painter Jean Le Gac - takes his inspiration from European cartoons that appeared in the press in the 1930s and 1940s. His drawings were first published in various small collections in New York and in an album in Amsterdam. He also works in oil but it is his drawings that have been most widely disseminated in albums, on postcards and even in calendars. His work has been published in the ...


French, 20th century, male.

Born 18 January 1889, in Paris; died 1974.

Sculptor, engraver. Allegorical subjects, portraits. Medals, coins.

Lucien Bazor studied with Paul Auban and Henri Patey. In 1923, he won the Grand Prix de Rome for medal engraving. From 1930, he was an engraver at the Paris Mint. He designed many medals commemorating important events, such as the ...


Francis Summers

English painter and printmaker. He studied at West Hartlepool College of Art (1950–55) and at the Royal Academy Schools, London, from 1957 to 1961. He taught at Goldsmiths’ College, London, for much of the 1980s and 90s. An initial interest in the paintings of Walter Richard Sickert gave way to influences from the late work of Picasso and paintings by the New York artists associated with Abstract Expressionism. Beattie’s mature work can be situated within the context of the abstraction practised by other English painters such as John Hoyland, Albert Irvin and Gillian Ayres, all of whose sensual and physical use of paint owes some allegiance to the recent American tradition. Beattie’s work of the 1980s was very gestural and characterized by its use of dark colours, as in ...


German, 19th – 20th century, male.

Born 14 April 1868, in Hamburg; died 27 February 1940, in Berlin.

Painter, draughtsman, engraver, architect, designer, decorative artist, graphic designer. Posters, furniture, wallpaper, carpets, glassware, ceramics, table services, jewellery, silverwork, objets d'art, typefaces.

Jugendstil, functional school.

Die Sieben (Group of Seven), Deutscher Werkbund...


British, 20th – 21st century, male.

Born 1951, in Bradford.

Painter, engraver, draughtsman. Figures, portraits.

Tony Bevan was educated at Bradford School of Art (1968-1971), Goldsmiths College (1971-1974) and the Slade School of Fine Art (1974-1976).

Bevan has been compared to Francis Bacon, Edvard Munch and Philip Guston. He paints the human form, depicting extreme psychological states of anxiety and alienation, yet concentrating as much on the body as on the face. Using charcoal, he draws straight onto the wet canvas to create densely worked areas which contrast with flat expanses of strong colour in acrylic. Heavy outlines in red or black show the structures of the body beneath the skin, so that the figures seem to be covered in scars. This imparts a rough physicality to the figures, which seem deformed and haggard, recalling the suffering faces of the French writer and actor Antonin Artaud; but in their stylisation the lines also take on a life of their own as abstract forms. The starkness of portrayal can be viewed as aggressive or confrontational, but the figures also appear vulnerable, with a focus on the more fragile parts of the body, such as the neck, wrists or insides of the arms....