French garden designer and theorist. Of Huguenot origin, he seems early to have enjoyed the favour of Henry of Navarre, later Henry IV. A respected member of the royal entourage, Boyceau was appointed Surintendant des Jardins du Roi in the succeeding reign of Louis XIII. Consequently, he was in a position to exert substantial influence in determining the nature of ...
F. Hamilton Hazlehurst
French painter, engraver and garden designer. He went to Rome in 1550 and stayed there for over 20 years, soon becoming acknowledged as a first-rate engraver and designer. His work provides an invaluable record of later 16th-century Rome, telling much about the state of the ancient ruins, contemporary architecture and urban planning, especially the work of Michelangelo. Many of Dupérac’s engravings were published by ...
English landscape designer, urban planner, architect and writer. He was educated in London at the Architectural Association School (1919–24). His book Italian Gardens of the Renaissance (with J. C. Shepherd), derived from student research, was published in 1925, the year in which he qualified as an architect. He soon established his practice in London. In the 1930s he was instrumental in developing the Institute of Landscape Architects (now the Landscape Institute) as a professional body. He taught at the Architectural Association School (...
David R. Coffin
Italian architect, painter, draughtsman and antiquary. He is best known for his designs for the Casino of Pius IV in the Vatican and his gardens for the Villa d’Este at Tivoli, which greatly influenced Renaissance garden design. His work reflects his interest in the reconstruction of Classical antiquity, although this was sometimes based on fragmentary information, and his painting and architecture are closely dependent on classicism with a richness of detail associated with Roman Imperial art....
An artificial hill in a garden setting. The mount was often hollow, and its interior could be used for storage and to provide shelter for delicate plants. Mounts first appear in Italy, where they were a feature of both botanical gardens (where they helpfully produced differentiated microclimates) and villa gardens. The original mounts still survive in the botanical gardens at Padua, Montpellier (where the terraced mount is oblong) and in the Jardins des Plantes in Paris, where the mount was originally planted with vines. The fashion later spread to England, where mounts were constructed at New College Oxford (...
Anna Maria Fioravanti Baraldi
Italian painter. The name by which he is known is derived from his father’s occupation as a gardener (It. ortolano). A document of 1512, according to which he was then more than 25 years old, supports the hypothesis that Ortolano began his career in Ferrara around ...
Italian sculptor and architect, active in Bohemia. He was commissioned by Ferdinand I, King of Bohemia (Holy Roman Emperor, 1556–64), to design the Summer Palace (Belvedere) in the formal gardens of Hradčany Castle (see
Italian sculptor, engineer and garden designer. He was apprenticed in Florence first as a wood-carver with Giovanni d’Alesso d’Antonio and then as a sculptor with Jacopo Sansovino, whom he continued to assist well into the second decade of the 16th century. Vasari listed many works (most now untraced) from Tribolo’s youth, among which was his earliest fountain; an old terracotta copy (London, V&A) shows this unpretentious and slightly old-fashioned work to have featured two children and a spouting dolphin that foreshadow the blithe charm of his later masterpieces....