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Article

French, 18th – 19th century, male.

Born 1757, in Niort (Deux-Sèvres); died 1828.

Painter, copyist. Religious subjects, mythological subjects, portraits.

His religious and mythological scenes and his portraits sometimes have a lyric quality reminiscent of Delacroix. He is also known for his Schemes for a New System for Promotion of the Arts...

Article

Italian, 18th century, male.

Born c. 1750, in Rome.

Painter, copyist. Religious subjects.

Followed in the footsteps of his mentor Christoph Unterberger, painting chiefly churches, but also produced drawings for subsequent engraving, notably: Christ on the Cross (De la Cour) and Life of Jesus and the Virgin...

Article

French, 18th century, male.

Died c. 1773.

Draughtsman, copyist. Mythological subjects, religious subjects, allegorical subjects, genre scenes, landscapes.

Little is known of Robert Ango's life. He is thought to have worked with Giuseppe Grisoni and above all to have been a friend of Jean-Honoré Fragonard. He was essentially a copyist, basing his work on that of Fragonard, Hubert Robert, Rembrandt and Michelangelo. No works of his own have been identified. A. Ananoff, an expert on the circle of François Boucher, discovered that some drawings thought to be Fragonard originals were really the work of Ango. They do not have Fragonard's lightness of touch and line but appear heavy and confused. Ananoff made the same discovery with regard to drawings by Hubert Robert, which are self-evidently copies by Ango. Ango signed these drawings with an A placed after the date, or he noted the original artist's name, but did not imitate his signature. Most of these copies, Ananoff states, date ...

Article

British, 18th – 19th century, male.

Active in London.

Painter, copyist. Religious subjects, portraits. Miniatures.

An artist by this name figures in the catalogues of the Royal Academy between 1792 and 1829. He is credited with numerous portraits and copies, including Cain and Abel and Jesus and Mary Magdalene...

Article

British, 18th – 19th century, male.

Born 1754, in Norwich, baptised 5 June 1754; died 21 or 6 December 1828, in Hatfield, in very reduced circumstances.

Engraver (etching and stippling), illustrator, printmaker, draughtsman. Portraits, architecture, mythology, religious subjects.

The son of John Baldrey the Elder, John Baldrey the Younger entered the Royal Academy School to study engraving in ...

Article

Italian, 18th century, male.

Active in Carpi.

Born 1682; died 1767.

Painter, draughtsman, engraver, copyist. Religious subjects.

A skilled copyist who provided templates for two engravings on the theme of the Descent from the Cross by Giuseppe Benedetti of Bologna and Pietro da Belluno.

Article

British, 18th – 19th century, male.

Born 28 November 1757, in London, United Kingdom; died 12 August 1827, in London.

Painter, draughtsman, engraver, illustrator, poet. Religious subjects, figure compositions.

William Blake was the son of a draper. He showed a strong artistic tendency from an early age and, at the age of 10, started to study drawing at Henry Par’s Academy in the Strand. He learnt engraving under Ryland and was then apprenticed to James Basire. During his seven years with Basire (1772–1779), Blake was made to copy the sculptures of Westminster Abbey and of London’s old churches, thus stimulating his fascination with Gothic art. He studied briefly at the Royal Academy in 1779, where he made friends with Barry, Fuseli, Mortimer, Flaxman, and Stodhart. While there, his studies concentrated on Michelangelo....

Article

French, 18th century, male.

Born 29 September 1703, in Paris; died 30 May 1770, in Paris.

Painter, watercolourist, pastellist, draughtsman (including red chalk/ink/wash), illustrator, engraver, lithographer. Historical subjects, mythological subjects, religious subjects, allegorical subjects, portraits, rustic scenes, genre scenes, interiors with figures, animals, landscapes with figures, landscapes...

Article

Italian, 18th century, male.

Born 1750, in Rome; died 1799, in Rome.

Painter, engraver, copyist. Mythological subjects, religious subjects.

A pupil of Domenico Corvi, Cades was chiefly known for his engravings after Raphael, Michelangelo, Zampieri and Leonardo da Vinci.

Milan (Ambrosiana)

Oporto (New Mus.): The Vestal's Oath...

Article

Spanish, 18th – 19th century, male.

Born 1748, in Salamanca (Castilla y León); died 1814, in Madrid.

Painter, engraver, draughtsman, illustrator. Religious subjects, portraits, genre scenes, landscapes.

Antonio Carnicero was a pupil at the academy of fine arts in Madrid, and after a period in Rome became painter at the court of King Charles I in ...