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Article

Alchi  

W. A. P. Marr

Buddhist monastery in a small valley on the left bank of the River Indus, c. 64 km west of Leh in Ladakh, India. Tradition attributes the monastery’s origin to the Tibetan scholar and temple-builder Rinchen Sangpo (ad 958–1055), the ‘great translator’, and although its buildings mostly date from the 11th century, the site is replete with his memory, from the ancient tree he planted to his portraits and images in the temples. A treasure-house of art, Alchi has been preserved because of its isolation from trade routes and the decline of its community, the monks of the Dromtön sect of the Kadampa order....

Article

Yasuko Furuichi

Alternative spaces have stimulated and disrupted bureaucratic and static environments that stem from situations unique to Asian countries. As opposed to the definition provided in the Euro-American model in which alternative spaces are positioned against the mainstream, alternative spaces in this discussion are a group of contemporary art spaces which can be loosely identified as artist-run and independent curator-run spaces that do not have direct support from the state and government bodies in general. These spaces provide exhibition venues for national and international artists, develop educational programmes, raise the profile of curatorial methods and publish art magazines. In addition, the staff of alternative spaces can provide foreign curators with the latest local information, whereas in the past, certain curators were able to monopolize negotiations between arts professionals and local artists. Some of these alternative spaces have since attained privileged positions that have also exposed them to criticism....

Article

Alan Powers

English illustrator and author. From 1905 he grew up in England, becoming a professional artist in 1926 after part-time study at the Westminster School of Art, London. He became known as an illustrator of genre scenes in a variety of media, often with a comic Victorian flavour. He was best known for illustrated stories, the first of which, ...

Article

Arnige  

Ian Alsop and Kashinath Tamot

Nepalese sculptor, architect, and painter who worked in Tibet and China. A Newar from the Kathmandu Valley, Anige is now honoured in his native land as Nepal’s most famous artist of early times. He left his home at the age of 17 or 18, joining the myriads of wandering Newar artists who served the courts of the great lamas and emperors of Tibet and China. He so impressed his patrons at the court of the Mongol Yuan dynasty (...

Article

The concepts of internationalism and multiculturalism are fundamental factors in the emergence of Asian contemporary art. Multiculturalism and internationalism have been organizing principles for most international exhibitions since the 1990s, including the Venice Biennale and the São Paulo Biennial as well as the new exhibitions in Asia. Multiculturalism was adopted by nations such as Canada and Australia to promote cultural harmony amongst diverse immigrant groups. It is founded on the idea that all cultures have equal value. In the early 1990s the term gained popularity in the visual arts to describe the emergence of artists who belonged to different ethnic groups. Also the term acknowledges a time of increased mobility, when many artists hold multiple ethnic identities and have homes in multiple geographical locations....

Article

East Asian, South Asian and South-east Asian women artists have made a unique contribution to contemporary art by incorporating culturally specific traditions drawn from sacred and secular aspects of art history and daily life—from altars to painting to domestic design—with traditional materials and new media such as video and digital imaging (...

Article

Asian modern and contemporary art is a discursive field because of its potential critique of existing art historical concepts, structures of knowledge and curatorial categories. It is not just the art of a discrete geographical zone, nor simply one which developed through a series of chronological successions. In the past Asia was assimilated under the term ‘Eastern’ as the antithesis of ‘Western’, which meant that ‘Asian’ never escaped being a projection of the ‘Western’. Thus the difficulty in understanding Asian modern and contemporary art is in reconstructing Asia as an intellectual concept, not as a naturalized reflection of Europe, nor as a set of Orientalist projections. The emergence of Asian modern and contemporary art has redefined modernity in Western art, and the need for such redefinition may account for the exclusion of Asian modern and contemporary art from serious consideration in the West until the 1990s....

Article

Balkh  

City in northern Afghanistan, believed to be the site of Bactra, capital of ancient Bactria, and a major city in the province of Khurasan during the Islamic period. Located on a fertile plain, Balkh commanded trade routes between India, China, Turkestan and Iran. It was already a wealthy city under the Achaemenid dynasty (...

Article

Bazaar  

Mohammad Gharipour

Bazaar, which is rooted in Middle Persian wāzār and Armenian vačaṟ, has acquired three different meanings: the market as a whole, a market day, and the marketplace. The bazaar as a place is an assemblage of workshops and stores where various goods and services are offered....

Article

Italo Zannier

British photographers of Italian origin. Antonio Beato (b ?the Veneto, c. 1830; d Luxor, 1903) and his brother Felice [Felix] Beato (b ?the Veneto, c. 1830; d Mandalay, after 1904) were for many years thought to be one person with two names, Antonio and Felice, and only recently has the mystery been solved of the almost contemporaneous presence of a Beato in two different (and often very distant) places. The misunderstanding arose from the fact that both their names (Antonio Felice Beato) appear on several photographs. A closer inquiry brought to light a letter written by Antonio and published in the French paper, ...