1-10 of 10 results  for:

  • Oceanic/Australian Art x
  • East Asian Art x
Clear all

Article

Gordon Campbell

Unwoven cloth made from the bast (inner bark) of a tree. It is also known as ‘tapa’, with reference to the Polynesian bark cloth made from the bark of the paper mulberry and used for clothing. There is a huge collection of Polynesian bark cloth in the Bernice Pauahi Bishop Museum in Honolulu. In sub-Saharan Africa bark cloth was traditionally decorated with free-hand painting applied with grass brushes, and was used for room-dividers and screens as well as clothing. Its widest application was in Japan, where bark cloth was used for windows, screens, kites, flags and umbrellas....

Article

Chinese-Australian, 20th century, female.

Born 31 January 1924, in Shanghai; died 1 July 2011, in Brisbane.

New Ink Painting.

Painter. Landscapes.

Chou studied economics at St John’s University, and, after graduating in 1945, worked as a newspaper journalist in Shanghai before moving first to Taiwan and then to Hong Kong in ...

Article

Gensler  

Sara Stevens

American architectural firm started by Arthur Gensler Drue Gensler, and Jim Follett in 1965 in San Francisco, CA. M. Arthur Gensler jr (b Brooklyn, New York, 1935) attended Cornell University to study architecture (BArch, 1957). The firm began doing build-outs for retail stores and corporate offices, and initially established itself in the unglamorous area of interior architecture. Thirty years later and without mergers or acquisitions, it had grown to become one of the largest architecture firms in the world, having pioneered the global consultancy firm specializing in coordinated rollouts of multi-site building programmes. By ...

Article

Alexander Spoehr

Group of sixteen islands, of which six are inhabited, in the western Pacific Ocean, c. 2250 km south of Japan. The islands comprise the US territory of Guam and the self-governing Commonwealth of the Northern Mariana Islands, which has close ties with the USA. The islands are usually classified as Micronesian. The indigenous islanders, the ...

Article

Noémie Goldman and Kim Oosterlinck

Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages....

Article

Australian architect of German origin. He was brought up in Germany but studied architecture at the Eidgenössische Technische Hochschule, Zurich, under Otto Rudolf Salvisberg. He moved to Australia in 1938 and worked briefly for Stephenson & Turner before setting up in private practice. Romberg introduced analytical European Modernism to Australia with his ‘Newburn’ block of flats (...

Article

Jean Robertson and Craig McDaniel

The final decades of the 20th century and the beginning of the 21st century witnessed an increasing propensity for artists to incorporate aspects of science in their own art. In many fields of scientific research—including the cloning of mammals, the genetic modification of crops, the creation of bioengineered organs and tissues, advances in nanotechnology and robotics, experimental research in how the human mind works and the study of artificial intelligence—the frontiers of knowledge pushed outward at an accelerated pace. In the spirit of creative inquiry, or in order to critique the goals and outcomes of scientific experimentation and application, artists regularly borrowed subjects, tools and approaches from science as a means to the production of art (...

Article

Claire Roberts

Chinese painter and installation artist, active also in Australia. Guan Wei graduated from the Department of Fine Arts at Beijing Capital University in 1986 and worked as a teacher in a secondary school while pursuing his own experimental artistic practice. In 1989 he was invited to Australia as artist-in-residence at the Tasmanian School of Art, Hobart. Following the Tiananmen massacre on ...

Article

Ah Xian  

Claire Roberts

Chinese multimedia artist, active also in Australia. Ah Xian is a self-taught artist. He grew up during the Cultural Revolution (1966–76) and spent his early years in the relatively privileged environment of Beijing’s Science and Engineering University, where his parents worked. He trained as a mechanical fitter and worked in a factory, pursuing art on his own time. In the late 1970s he began to associate with avant-garde poets, writers and artists including members of The Stars, a non-official art group demanding freedom of artistic expression. Because his experimental works of art incorporating naked figures were considered at the time to be spiritually polluting, he was subject to routine surveillance by the Public Security Bureau....

Article

Chinese-Australian, 20th – 21st century, male.

Born 1956, in Hong Kong.

Painter, performance artist, writer. Multimedia.

John Zerunge Young emigrated from Hong Kong for Australia in 1967 during Hong Kong’s period of unrest and riots. He spent his formal school years in Sydney and went on to study philosophy at the city’s university. His interest in painting, however, remained a constant part of his early childhood, and he furthered his studies in painting and sculpture at the Sydney College of the Arts. It was there that he came into contact with a number of leading visual artists of the time, including the conceptual artist Imants Tillers. Young’s investigation into Western late modernism prompted a period in which his works dealt with themes of his dual nationality and the diasporic Chinese communities in Australia. Young has participated in many regional group travelling exhibitions. In ...