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Article

French, 20th century, female.

Born in Nucourt (Val-d'Oise).

Painter. Figures, still-lifes, flowers.

Achenbach was a pupil of Gustave Courtois, H. Royer and the realist painter Dagnan-Bouveret. She worked in Paris, where she exhibited at the Salon des Indépendants and the Société Nationale des Beaux-Arts in Paris, first in ...

Article

German, 19th – 20th century, male.

Born 1871; died 1957.

Painter. Figures, genre scenes, animals.

Edmund Adler, who painted in an extremely controlled Realist style as far as detail is concerned, specialised in scenes from childhood.

New York, 13 Oct 1978: Children Watching a Frog in a Jar...

Article

Togolese, 20th – 21st century, male.

Born 12 February 1977, in Lomé.

Painter (mixed media).

Félix Agbokou studied under Sokey Edoth between 1996 and 1999. He abandoned realism in favour of depicting a fantasy world, and his paintings are spontaneous to the extent that they have no predefined theme. Painted at night and by candlelight, each series of paintings is directly inspired by its immediate surroundings: Lomé, Kouma, Abouri or Ghana. Agbokou uses materials that come readily to hand - leaves of indigenous plants or the bark of local trees - and mixes them with acrylic paint, outlining his forms and individual colours with a black line obtained from a mixture of coconut milk and old nails. His work has featured at group exhibitions, including the ...

Article

Italian, 19th century, male.

Born 1777, in Rome; died 1858.

Sculptor.

Carlo Albacini was inspired by Canova but sought to give his works a more Realist expression, which reduced them to exaggeration. His Realism ultimately bordered on coarseness, notably in some of his statuettes which appeared in the Chapel of Pescivendoli in Rome. Copies of statues of the antiquities are attributed to him, including ...

Article

Italian, 19th – 20th century, male.

Born 11 November 1854, in Naples.

Sculptor.

Vincenzo Alfano was a pupil of Morelli and Palizzi. He was one of the most interesting personalities of the Italian Realist school. Abandoning Classical formulas, he sought to give life's emotional intensity to his terracotta objects. His work attracted both violent opposition and ardent support. His statue of ...

Article

Cuban, 20th – 21st century, male.

Active in France.

Born 1952, in Yaguajay.

Painter.

Ángel Alfaro Echevarría has already gone through several periods: Naturalist, Abstract and then a return to the Figurative, albeit in a more detached, impulsive style.

Article

M. Sue Kendall

Term used to describe scenes of typical American life painted in a naturalistic vein from c. 1920 until the early 1940s. It applies to both Regionalism and Social Realism in American painting, but its specific boundaries remain ambiguous. The phrase probably derived from Henry James’s collection of essays and impressions, ...

Article

Turkish, 20th century, male.

Active also active in France.

Born 6 October 1920, in Istanbul.

Painter.

Hakki Anli was a student at Istanbul’s school of fine art until 1942, moving to Paris in 1946. His early work was of the realist genre, but he was later influenced by Picasso’s cubist art and abstract art. His painting was thus solidly based on a cubist infrastructure but gradually became freer in time....

Article

French painter. He was taught at the school of drawing in Orléans by a local painter, François Salmon (1781–1855). On 9 October 1837 he entered the Ecole des Beaux-Arts in Paris, first in the atelier of Sebastien Norblin de la Gourdaine (1796–1884...

Article

French, 19th century, male.

Born 7 March 1817, in Orléans; died 26 February 1878, in Paris.

Painter. Religious subjects, genre scenes.

Realism.

Alexandre Antigna travelled to Paris at the suggestion of André Salamon, then professor of composition at a college in Orléans. He enrolled in Norblin's workshop before going on to work for seven years under the direction of Paul Delaroche. He exhibited at Paris salons on a regular basis from 1841 and was awarded the Légion d'Honneur in 1861. His work was principally on religious themes but, from 1841 to 1846, he took an increasing interest in genre painting. His style brings together observation of nature with studio poses and mannerisms observed from painters such as Daumier....