English painter of Swiss birth. Born into a wealthy and politically influential Huguenot family, Agasse spent his early childhood at the country estate of Crévin, where he may have developed the interest in animals and natural history that was to guide his later career as an artist in England. Agasse trained first at the Ecole du Colibri in Geneva and subsequently in Paris under ...
Carlos Cid Priego
Spanish sculptor. He entered the Escuela de Bellas Artes de la Lonja, Barcelona, when still very young and was a student of the Neo-classical artist Damián Campeny y Estrany, who was also influenced by Romanticism and naturalism. In 1855 Aleu y Teixidor applied for the Chair in Modelling at the Escuela, a position to which he was eventually appointed after the committee had been involved in intrigues and disputes. He taught Catalan sculptors for half a century and wielded an enormous, though not entirely positive, influence. He became Deputy Director of the Escuela de Bellas Artes, belonged to the Academia de Ciencias y Artes of Barcelona and won first prize at the Exposición Nacional de Madrid in ...
Park near Łowicz, Poland. The best-preserved 18th-century Romantic landscape park in Poland, it was founded in 1778 by the patron and collector Princess Helena Radziwiłł (1749–1821). She competed as a patron with Princess Izabela Czartoryska, and Arkadia was a response to the latter’s park (destr.), also called Arkadia, at Powązki, outside Warsaw. Princess Helena Radziwiłł conceived the literary and philosophical idea of the park, and in order to realize her project she employed ...
French painter . After studying in Jacques-Louis David’s studio, at the age of 18 Auzou exhibited a Bacchante and a Study of a Head in the Salon of 1793. She exhibited regularly at the Salon until 1817. She was awarded a Prix d’Encouragement for Departure for a Duel...
French painter and draughtsman. In 1764 he entered the studio of Noël Hallé, whose work strongly influenced his early paintings. Alexander Cutting the Gordian Knot (Paris, Ecole N. Sup. B.-A.), with which he won the Prix de Rome in 1767, is a brilliant exercise in the grand academic style as conceived by the followers of François Boucher. After a period at the Ecole Royale des Elèves Protégés he completed his training at the Académie de France in Rome from ...
Swiss, 18th – 19th century, male.
Born 27 February 1767, in Geneva; died 21 February 1830, in Geneva.
Bertz was the son of Jeanne Françoise Marguerite Esther. In 1789 he was romantically linked with Madeleine-Thérèse Rouz, wife of Louis Barette.
English printmaker, painter and poet. His reputation as a visual artist increased during the 20th century to the extent that his art is as well known as his poetry (see fig.). Yet in his own mind Blake never completely separated the two, and his most original work is to be found in hand-printed books of prophecy, which developed a personal mythology of limitless intellectual ambition. In these books, text and design are completely integrated in what he called ‘illuminated’ printing. He also made many pen and watercolour drawings, prints in various media and a small number of tempera paintings, but even in these his broader aims were primarily theological and philosophical: he saw the arts in all their forms as offering insights into the metaphysical world and therefore potentially redemptive of a humanity he believed to have fallen into materialism and doubt....
Belgian painter. The son of a manufacturer, he studied under Pierre Denis at Lierre, then the sculptor Walter Pompe at Antwerp and finally Andries Cornelis Lens at Brussels, between 1795 and 1800. The suave Neo-classicism of Lens had a decisive influence on Cels’s first drawings and such paintings as ...
Glenn F. Benge
French sculptor. He was the greatest master of lyrical small-scale sculpture active in France in the later 18th century, an age that witnessed the decline of the Rococo, the rise of Romanticism and the cataclysms of revolution. Clodion’s works in terracotta embody a host of fascinating and still unresolved problems, questions of autograph and attribution, the chronology of his many undated designs, the artistic sources of his works, and the position of his lyric art in the radically changing society of his time. Little is known of the sculptural activity of Clodion’s brothers (see ...
English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great ‘naturalist’ and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted ‘nature’. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable’s approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in ...