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Humberto Rodríguez-Camilloni

Spanish architect, engineer, and administrator, active in Peru. He was the second son of the Marquis de Castellbell and received military training at an early age. He served as Spanish governor in Chile (1755–61), acquiring a reputation there as a fortifications expert. In ...

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Maria Concepción García Sáiz

Mexican architect. He qualified as an architect in 1691. Between 1695 and 1709 he worked on the Basílica of Guadalupe, Mexico, which is mainly interesting for its broken lines and for the octagonal form used in the dome, in the section of the towers, and the lintels of the doors. His activities were concentrated mainly in Mexico City, where he worked as Maestro Mayor for the Inquisition and the cathedral. He was responsible for the churches of S Gregorio and S Bernardo, the church and convent of S Teresa la Nueva, the monastery of S José de los Carmelitas Descalzos, the church of El Amor de Dios, and the church, sacristy, and sacristy entrance hall of S Domingo, as well as the Palace of the Inquisition and Customs, all in Mexico City. He also collaborated on the churches of S Clara, Jesús Nazareno, S Francisco, S Miguel, and La Profesa, all in Mexico City, and worked on the Colegio Seminario of the cathedral. His non-ecclesiastical works include the S Juan del Río, Mariscala, and Alhóndiga bridges. He used a white stone from Chiluca and ...

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Maria Concepción García Sáiz

Spanish architect and sculptor, active in Mexico. Between 1702 and 1703 he worked in Madrid as a designer of stage machinery, later moving to Andalusia, where he produced the principal altar of the sacristy of Seville Cathedral in the Rococo style, completed in 1709 (destr. ...

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Ricardo Descalzi

Ecuadorean sculptor. An Indian nicknamed Caspicara (wooden face), he lived in Quito, and his name and work were discovered in 1791 by the doctor and journalist Eugenio Espejo. He was a pupil of Bernardo de Legarda. He is considered the outstanding sculptor of religious images in polychromed wood of the colonial period in ...

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Maria Concepción García Sáiz

Mexican painter. He is thought to have been the teacher of such painters as Juan Rodríguez Juarez and José de Ibarra. His many works for the cathedral of Mexico City include (for the sacristy) the large-scale Assumption and the Coronation of the Virgin (both 1689...

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Maria Concepción García Sáiz and Liliana Herrera

Spanish family of architects, active in Mexico from 1690 to after 1750. It is assumed that José Durán, Miguel Custodio Durán, and Diego Durán Berruecos were related, although research to date has not produced any firm evidence. José Durán was responsible for the plan of the basilica of Guadalupe, which was built (...

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Jorge Luján-Muñoz

Guatemalan family of sculptors. Antonio Joseph de Gálvez was a master carpenter and mason. Few of his works are known. In 1720 he contracted with S Francisco, Santiago de Guatemala (now Antigua), to make the monumento (altar) used on Maundy Thursdays. He was in charge of the rebuilding of the monastic hospital of S Pedro in Santiago de Guatemala. His son ...

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Maria Concepción García Sáiz

Mexican architect. He is first documented as carrying out various repairs and inspecting the work of others in Guadalupe. By 1767 he had been appointed Maestro de Arquitectura by the municipality of Mexico City. Between 1770 and 1774, as Maestro Mayor, he worked in Mexico City on the estate of the Marqués of Oaxaca, the royal palace, the cathedral and the Inquisition Tribunal, the Santo Tribunal de la Fe. His most important ecclesiastical commission was the ...

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Teresa Gisbert

Bolivian painter. In 1693 he was working in Potosí, Bolivia, the Spanish empire’s largest city and most important centre of mining. He was highly esteemed and developed a characteristic style that emphasizes the facial features. His images of saints, mystics, and ascetics reflect the religious ideals of the Hispano-American Baroque. He signed many of his paintings and portrayed himself in some of them, for example the ...

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Maria Concepción García Sáiz

Mexican painter. His earliest known work belongs to the 1720s, after which time he produced numerous religious paintings, including a series of panels devoted to female figures in the Gospels such as the Woman Taken in Adultery, the Samaritan Woman and Mary Magdalene in Simon’s House...