Guatemalan painter, printmaker, and medallist. He entered the mint in 1795 as an apprentice engraver but on the recommendation of its director, Pedro Garci-Aguirre, also became Master Corrector at the Escuela de Dibujo de la Sociedad Económica de Amigos del País, Guatemala City, in 1796...
Argentinian, 18th – 19th century, male.
Born at the end of the 18th century, in Buenos Aires; died 1878, in Buenos Aires.
Painter, lithographer. Figure compositions.
Camana was the founder of the Society for the Development of Art in Argentina in 1876, and also taught design to Doña Mamelita Rosas, wife of the famous general. He created the picture: ...
(b Torreblanca, 1748; d Mexico City, 1807). Spanish engraver, active also in Mexico. Fabregat was born in Torreblanca in the province of Castellón in 1748. He began his studies at the Real Academia de Bellas Artes de S Carlos in Valencia. He later obtained a prize in engraving from the Real Academia de S Fernando in Madrid and in ...
Richard H. Saunders
English painter, engraver and auctioneer of American birth. In 1742 he was apprenticed to the Boston engraver Thomas Johnston, though he abandoned engraving for painting (e.g. the group portrait of his own family, the Greenwood-Lee Family, c. 1747; Boston, MA, Mus. F.A.). In 1752 he went to Paramaribo, Surinam, where in the space of five years he painted 113 portraits, which he recorded along with numerous other events and observations in a notebook. While there he painted his best-known work, ...
Mónica Martí Cotarelo
Mexican architect, sculptor, painter, lithographer and teacher. He was the leading figure in Puebla in the fields of architecture, sculpture, painting and drawing during the early 19th century. He was director of the Academia de Dibujo in Puebla from its foundation in 1814 and the first recipient of a scholarship from the academy, which allowed him to go to Paris (...
French painter and lithographer, active in Mexico. He studied under David and Jean-Baptiste Regnault and established his reputation in Paris as a painter of portraits, genre scenes, and historical subjects. From 1850 to 1855 he lived and worked in Mexico City, exhibiting annually at the Academia de Bellas Artes. Although he produced outstanding portraits, for example of ...
Mexican architect, painter, engraver, and sculptor. He studied painting under Miguel Cabrera at the Real Academia de las Nobles Artes de S Carlos in Mexico City but did not graduate. He subsequently took up wood-carving and engraving. He learnt the elements of architecture from the Jesuits, who gave him a copy of the writings of Jacopo Vignola. His architecture exhibits a familiarity with the classic treatises, although he never visited Europe. Tresguerras’s first major work (1780s) was the reconstruction in Neo-classical style of the convent church of S Rosa, Querétaro, originally consecrated in ...
French painter and printmaker of German–Bohemian origin, active in Mexico. After studying in Paris under Jacques-Louis David, Pierre-Paul Prud’hon and Joseph-Marie Vien he travelled to Chile and then to Mexico, where he was employed by an English mining company in Tlalpujahua to draw machinery to be used in extracting minerals. He became more interested, however, in drawing archaeological ruins. While in Mexico he declined the offer of two posts: that of directing the first lithographic press in ...
American, 18th – 19th century, male.
Active in New York, Chile, Peru, Bolivia, and Panama.
Born in Bloomfield (New Jersey).
Painter, engraver, photographer. Landscapes, portraits.
Charles V. Ward was the son of Caleb Ward and the brother of Jacob Caleb Ward. At the end of the 1820s he lived in Bloomfield and New York. Ward established himself as a landscape painter in New York around ...