1-2 of 2 results  for:

  • Greek/Roman Art x
  • East Asian Art x
Clear all


J. H. Crouwel, Mary A. Littauer, Christopher Gravett, Tom Richardson, Walter Smith, William Lancaster and Fidelity Lancaster

From an early stage, horses were used both as mounts and for pulling chariots in warfare or hunting. Most evidence for forms of harness in the ancient world comes from depictions in art, the earliest figural evidence dating from before 2000 bc in the Near East, although in a few contexts actual harness elements have survived. Even for later periods, secondary sources tend to provide the best evidence for the perishable leather and cloth parts of horse harness and trappings. More durable equipment, such as the horse armour used in medieval Europe, sometimes survives intact....


Noémie Goldman and Kim Oosterlinck

Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages....