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Margaret Medley

English diplomat, collector and art historian. In 1947, as a member of the British Diplomatic Service, he was posted to Nanjing, Jiangsu Province, then the capital of the Nationalist Chinese government. He became interested in Chinese art and history and began a collection of porcelain, furniture and textiles at a time of political and economic uncertainty, when Chinese collectors were forced to sell. When he moved to the British embassy in Beijing in ...

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Michael Spens

Japanese architect, teacher and writer. He graduated from Waseda University, Tokyo, in 1960 and obtained his MArch in 1966 and DEng in 1971. He began teaching architecture at Shibaura Institute of Technology in 1962, becoming a lecturer in engineering there in 1966 and subsequently assistant professor (...

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Ramón Vargas

Mexican architect, theorist and writer, of Japanese descent. The son of a Japanese ambassador in Mexico, he studied philosophy, espousing neo-Kantianism and becoming politically a socialist. He became a supporter of Functionalism, with its emphasis on the social applications of architecture, and was a founder, with ...

Article

Christophe Spaenjers

Set of financial methods, instruments, and business models that are used in the Art market. Important developments since the 1960s include the spreading availability and use of art price information and price indexes (see Art index), the emergence of loans collateralized by artworks, repeated efforts to create art investment structures, and a strong growth in art market advisory services provided by wealth managers and new entrepreneurs (...

Article

Toshiaki Nagaya

Japanese architect and writer . He graduated from the University of Tokyo in 1942 and in 1946–7 he worked in the office of Junzō Sakakura in Tokyo. After receiving a master’s degree from Harvard University, Cambridge, MA (1953), he worked in the office of ...

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Toshiaki Nagaya

Japanese architect and writer . After graduating in 1957 from the School of Architecture, Osaka University, he worked for three years as a designer for the Ministry of Postal Services in Tokyo and Osaka and then joined Junzō Sakakura Architect & Associates (1960–67). He established his own office in Tokyo in ...

Article

Friedrich Zettl

Chinese painter and art historian. He was one of the last great literati or scholar–amateur painters in China and formed a link between the traditional élite literati painters and the new artists of the 20th century. He also combined traditional methods with Western techniques and concepts, which earned him the respect of admirers of the classical tradition, as well as popularity with those of modern outlook. For the support he received from the new regime, Fu Baoshi reciprocated by, among other things, painting pictures that made reference to the poems of Mao Zedong. Fu is particularly renowned for his landscape paintings, in which he introduced new methods of depicting mountains, and for his images of people....

Article

Stephen Hill

English archaeologist and architectural historian. The first woman to achieve a first-class honours in modern history at Oxford University, she travelled widely in Europe, Japan and especially the Middle East in the 1890s, achieving fluency in a number of European languages as well as in Persian, Turkish and Arabic. She developed an interest in archaeology and architecture that was reflected in an authoritative set of articles on the Early Byzantine churches of Syria and southern Turkey, based on her travels in ...

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Gabriel P. Weisberg

French art dealer, critic and patron, of German birth. Often misnamed Samuel, he was a major promoter of Japanese art and Art Nouveau. From a wealthy, entrepreneurial Hamburg family, he trained as an industrial decorator for ceramics under the guidance of his father and independently in Paris during the Second Empire (...

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Margaret Medley

English art historian. Fluent in Chinese, he was employed as a civil engineer in China from 1933 to 1934. He then helped with cataloguing, photographing and arranging the exhibits for the International Exhibition of Chinese Art at the Royal Academy in London (1935–6; see...