Danish painter, designer and architect. His paintings reveal both Neo-classical and Romantic interests and include history paintings as well as literary and mythological works. The variety of his subject-matter reflects his wide learning, a feature further evidenced by the broad range of his creative output. In addition to painting, he produced decorative work, sculpture and furniture designs, as well as being engaged as an architect. Successfully combining both intellectual and imaginative powers, he came to be fully appreciated only in the 1980s....
Jens Peter Munk
Polish architect and writer, also active in Italy. He probably studied in Rome in the late 1770s and returned to Italy in 1785–6 under the aegis of Stanisław Kostka Potocki, a collector and amateur architect with whom he collaborated throughout his life. In 1786 Aigner and Potocki refronted the church of St Anna, Warsaw, using a giant composite order on high pedestals. The political turmoil of the 1790s disrupted Aigner’s career, but during his second phase of creativity (...
French, 18th century, male.
Died 30 January 1778, in Paris.
French painter, writer and administrator . A pupil of Jean-Baptiste Pierre, he was approved (agréé) by the Académie Royale in Paris in 1750 and received (reçu) as a painter of flowers in 1752 on presentation of a Portrait of the King in a Medallion Surrounded by a Garland of Flowers and Attributes of the Arts...
He was taught by his father, the sculptor and painter Josef Bergler the elder (1718–88), and, during his stay in Italy, by Martin Knoller in Milan and Anton von Maron in Rome. An accomplished portrait painter, he was employed as official painter by bishops and cardinals at Passau and painted a number of altarpieces in Austria and especially in Bohemia. He helped establish the ...
Ingrid Sattel Bernardini
German sculptor, painter and architect. He was the son of a court gardener who worked first in Gotha and then in Württemberg. He was originally intended to become an architect; in 1747 Duke Charles-Eugene of Württemberg sent him to train in Paris where, under the influence of painters such as Charles-Joseph Natoire and François Boucher, he turned to painting. The eight-year period of study in Rome that followed prompted Beyer to devote himself to sculpture, as he was impressed by antique works of sculpture and was also influenced by his close contacts with Johann Joachim Winckelmann and his circle. He also served an apprenticeship with ...
Polish painter and teacher. He studied for a short time under Jean-Baptiste Augustin in Paris between 1805 and 1808, returning later to Paris at the end of 1809 and remaining until the autumn of 1814 as a bursar of the Chamber of Public Education of the Duchy of Warsaw. He wished to study under ...
Italian theorist and architect. He was adopted by his probable natural father, Conte Francesco Cerato Loschi, who had him educated by the Jesuits in Vicenza and from 1733 at the Padua Seminario. Although destined for a career in the church, he established a school (...
Italian painter, draughtsman and designer, active in England.
Cipriani trained in Florence under the direction of the Anglo-Florentine artist Ignazio Enrico Hugford; in his early works he was also influenced by the Baroque style of Anton Domenico Gabbiani. His first commissions, for the organ screen in S Maddalena dei Pazzi, Florence, and for two altarpieces in Pistoia (both now in S Bartolomeo), are undistinguished and tentative works that still show traces of the Baroque style. His modest ...
French painter and teacher. A student of Antoine-Jean Gros in 1830–38 and Paul Delaroche in 1838–9, he demonstrated precocious ability in drawing and was expected to win the Prix de Rome. He tried at least six times between 1834 and 1839, but achieved only second prize in ...