American organization dedicated to improving the quality of architectural education. Incorporated in 1916 by the architect Lloyd Warren (1867–1922), the Beaux-Arts Institute of Design (BAID) was an outgrowth of the Society of Beaux-Arts Architects (SBAA; 1894–1942) established by his brother Whitney Warren (...
Elizabeth Meredith Dowling
Richard Guy Wilson
Keith N. Morgan
Founded in 1867, the Boston Society of Architects (BSA) is the oldest of the three Massachusetts chapters of the American Institute of Architects, established in 1857. Dominated by Edward Clark Cabot as its president for the first three decades, the Boston Society of Architects reflected the nature of the expanding practice in the city at that moment. Opened in the same year as the BSA was the nation’s first academic program in architecture at the Massachusetts Institute of Technology (MIT). In addition to the MIT courses, the BSA was soon joined by the first substantial professional journal in the country, ...
Sandra L. Tatman
American architectural competition held in 1922 by the Chicago Tribune newspaper for its new corporate headquarters. The competition changed American views of European modernism and the course of American
Paul von Blum
Popular art form, consisting of narrative series of images. The individual framed images are usually accompanied by text in white areas, and the conversations or thoughts of characters are usually in ‘balloons’. The language is associated with specific characters, although some strips are entirely pictorial. The strips are typically horizontal but occasionally vertical. The history of the comic strip is closely linked to the invention of printing. The earliest surviving ancestors of the modern strip, dating from the late 15th century, are sequential German ...
Darkened room (or rooms), with lenses set into the walls, through which the viewer could inspect magnified, brightly lit and minutely delineated pictures placed at the end of a screened black tunnel. The cosmorama was mainly in use in 19th-century Europe and America. The pictures were painted in oils, in an ultra-realistic manner. Some paintings were perforated so as to create the effect of lit windows or a star-spangled sky, or they incorporated transparencies so that sequences of scene transformations could be produced. The paintings were generally of spectacular subjects—far-off cities, storms at sea, dramatic conflagrations, pyramids, great waterfalls or volcanoes. Visits to cosmoramas provided a substitute for arduous foreign travel, and they were often used to divert and educate children....
Mary M. Tinti
Architecture, design and conceptual art partnership. Diller Scofidio + Renfro [Diller + Scofidio] was formed in 1979 by Elizabeth Diller (b Lodz, Poland, 1954) and Ricardo Scofidio (b New York, NY, 1935) as an interdisciplinary design practice based in New York....
Marisa J. Pascucci
Terms applied to painters who had studied at either of the two academies in Germany where numerous American artists sought painting instruction. In the mid-19th century some of America’s most esteemed artists studied at the German art academies in Düsseldorf and Munich. By the end of the 19th century hundreds of American artists in search of the latest artistic styles and techniques were working and training at both academies....
G. Lola Worthington
American inventor, entrepreneur, film producer and businessman. Edison invented numerous electrically based technologies. His father, Samuel Edison (1804–96), and mother, Nancy Matthews Elliot (1810–71), lived very modestly. Home schooled after he performed poorly in school, his formal educational experience lasted only three months. A shrewd businessman his instinctive abilities combined with his innovative inventions furthered his extensive research. He famously “invented” the first practical incandescent light bulb. Nicknamed the “Wizard of Menlo Park,” he established the first large American industrial research laboratory in Menlo Park, NJ....
Peter John Brownlee
Term applied to figural scenes of ordinary people engaged in the activities of everyday life. Though painted only occasionally throughout the Colonial period and early Republic, genre painting flourished in the United States during the 19th century, a period of intense social, cultural, technological and economic change. Throughout this era, genre paintings featured prominently in annual exhibitions of the National Academy of Design and the American Art-Union. They were often reproduced in engravings and chromolithographs and circulated widely as gift-book illustrations. Drawing largely on Dutch and British precedents during the first half of the century, genre paintings made in the United States utilized stock characters adapted from popular literature and the theatrical stage. In their heyday and in the early days of their scholarly rediscovery in the 20th century, genre pictures were considered unadulterated expressions of American character. More recently, however, genre scenes have been examined in light of their cultural politics. Genre paintings revel in wordplay and doubled meaning, catch phrases, political slogans and other forms of vernacular expression; aspects that historically predisposed this style of painting to political and ideological inflection in the antebellum period and after. During and following the Civil War (...