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Article

German, 17th century, male.

Active in Innsbruck.

Draughtsman.

He designed stage sets in Innsbruck.

Article

Italian, 17th century, male.

Engraver (etching).

A page in the service of Cardinal Carlo di Toscano, he produced several etchings for Ipermnestra, an 'entertainment' staged in Florence in 1658.

Article

Italian, 17th century, male.

Born in Brescia.

Painter. Decorative artist.

Arighini spent thirty years as a theatre set designer in the service of Duke Georg Wilhelm of Brunswick. In 1676, he was entrusted with the supervision of construction at the Duke's new castle in Celle....

Article

Alfonso Rodríguez Ceballos

Italian painter, draughtsman, engineer and stage designer, active also in central Europe and Spain . He was a pupil of Giovanni Bilivert from 1612 to 1620 and studied with Giulio Parigi. In 1622 he went to Vienna as assistant to Giovanni Pieroni da Galliano and thence to Prague, where he decorated the chapel (...

Article

W. Georg Rizzi

Italian architect, decorative artist, stage designer and painter, active also in Austria. He trained as a quadratura painter in Bologna, where he was a pupil of Giovanni Gioseffo dal Sole. He was recorded as working as a figure and quadratura painter in Vienna for Prince Montecuccoli in ...

Article

Alfonso Rodríguez Ceballos

Italian architect, painter, urban planner and stage designer, active in Spain. He was a pupil in Piacenza of the painters Bartolomeo Rusca (1680–1745), Andrea Galluzzi (fl 1700–1743) and Giovanni Battista Galluzzi (fl c. 1730–40). In 1728 he was one of a number of artists summoned to Spain by the Marchese ...

Article

Carola Wenzel

Italian architect and stage designer, active in Austria. He went to Vienna in 1651 as the apprentice of his father, Giovanni Burnacini (d 1655), the Venetian theatre architect who introduced to Vienna the system of stage design developed by Giovanni Battista Aleotti and who produced stage sets in the Florentine–Venetian style of Giulio and Alfonso Parigi and Giacomo Torelli. Lodovico Burnacini was his father’s assistant until the latter’s death and succeeded him in the office of theatre architect and imperial court engineer to Emperor ...

Article

Italian, 17th century, male.

Born in Parma; died 12 November 1708.

Painter. Stage sets.

Son of Roberto Clerici the Elder, and father of Roberto Clerici the Younger. He was mainly active in Modena and Parma.

Article

Italian, 17th century, male.

Active in Parma at the end of the 17th century.

Died before 1698.

Painter. Stage sets.

Article

Susan Harrison Kaufman

Italian painter and stage designer. His earliest known work, the Flagellation of Christ (c. 1706; Venice, Mus. Diocesano S Apollinia), for the Scuola del Cristo of S Marcuola, is a dark, shadowy painting that reveals the strong influence of tenebrist trends of the 17th century. Crosato, however, belonged to the generation of Venetian painters such as Jacopo Amigoni, Sebastiano Ricci and Giovanni Antonio Pellegrini, who were developing a lighter, more colourful style. His tonality changed from the darkened shadows of the ...