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Article

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time....

Article

French, 19th century, male.

Born 7 October 1797, in Paris; died 14 September 1871, in Paris.

Painter, draughtsman. Religious subjects, landscapes, landscapes with figures, architectural views. Stage sets, church decoration.

Barbizon School.

A pupil of Bidauld, Ingres and Girodet-Trioson at the École des Beaux-Arts, Paris, François Bertin exhibited at the salon quite regularly from 1827 to 1853. He was the son of the founder of the ...

Article

Alison Manges Nogueira

Monumental, marble paschal Candlestick of the late 12th to early 13th century with reliefs signed by Nicolaus de Angelo and Vassallettus now in S Paolo fuori le Mura, Rome. The imposing column (h. 5.6 m), adorned with six registers of reliefs and surmounted by a fluted candle holder, rests upon a base of sculpted lions, sphinxes, rams and female figures. The upper and lower reliefs bear vegetal and ornamental patterns while the three central registers portray ...

Article

British, 20th century, male.

Born 1877, in Manchester; died 1930, in Bromborough.

Painter (gouache), watercolourist, draughtsman, illustrator. Local scenes, landscapes, architectural views, church interiors.

Orientalism.

Augustus Osborne Lamplough trained at Chester School of Art and taught in Leeds from 1898 to 1899. He travelled and painted extensively in Algeria, Morocco and Egypt. He exhibited in London and throughout Britain, as well as in the USA (notably New York, Philadelphia and Buffalo). Lamplough's early works are cathedral interiors and architectural views of Venice. Following his journey to the Middle East, he painted desert views, the Nile (particularly reflections in the water at sunrise or dusk) and market scenes. His watercolours are characterised by his use of ochre, buff and beige tonalities, evocative of the desert sands and skies. Several of his watercolours have been published as book illustrations: ...