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Article

Friedrich Zettl

Chinese painter and art historian. He was one of the last great literati or scholar–amateur painters in China and formed a link between the traditional élite literati painters and the new artists of the 20th century. He also combined traditional methods with Western techniques and concepts, which earned him the respect of admirers of the classical tradition, as well as popularity with those of modern outlook. For the support he received from the new regime, Fu Baoshi reciprocated by, among other things, painting pictures that made reference to the poems of Mao Zedong. Fu is particularly renowned for his landscape paintings, in which he introduced new methods of depicting mountains, and for his images of people....

Article

Elizabeth F. Bennett

Chinese painter, calligrapher, collector and forger . From an artistic family, he began to paint under the tutelage of his mother, Ceng Yi, and did his first paid painting for the local fortune-teller when he was 12 years old. Zhang’s elder sister gave him his first lessons in the classics. At 15 he embarked on three years of schooling at the Qiujing Academy in Chongqing. In ...

Article

Yasuyoshi Saito

Japanese photographer, painter, printmaker and critic. In 1925 he entered the department of yōga (Western-style painting) at the Japanese School of Art in Tokyo. In 1926 he began writing art criticism and in 1927 he left the School, going on in 1930 to study at the School of Oriental Photography, Tokyo. In ...

Article

Sook-Kyung Lee

One of the characteristics of Korean contemporary art is a continuous effort in employing and interpreting international art practices and discourses. Art movements from Europe and North America in particular, including Abstract Expressionism, Art informel, Minimalism, Conceptual art and Post-modernism, have influenced many Korean artists’ styles and ideas since the 1950s, providing formal and conceptual grounds for critical understandings and further experiments. Whilst some artists who maintained traditional art forms such as ink painting and calligraphy exercised modernist styles and abstract forms largely within the norms and conventions of traditional genres, a large group of artists proactively adapted to Western styles, employing new materials and techniques as well as the notions of avant-garde and experimentalism (...

Article

Nelly Perazzo

Argentine painter, graphic designer, teacher and critic. After studying in Japan from 1935 to 1951 he returned to Argentina, remaining there until his move to New York in 1963. His paintings from 1952 were in the style of Art informel, with a calligraphic emphasis demonstrating his sympathy with oriental art, but around ...

Article

Jean Robertson and Craig McDaniel

The final decades of the 20th century and the beginning of the 21st century witnessed an increasing propensity for artists to incorporate aspects of science in their own art. In many fields of scientific research—including the cloning of mammals, the genetic modification of crops, the creation of bioengineered organs and tissues, advances in nanotechnology and robotics, experimental research in how the human mind works and the study of artificial intelligence—the frontiers of knowledge pushed outward at an accelerated pace. In the spirit of creative inquiry, or in order to critique the goals and outcomes of scientific experimentation and application, artists regularly borrowed subjects, tools and approaches from science as a means to the production of art (...

Article

Morgan Falconer and Yisoon Kim

South Korean theorist, painter and sculptor. Lee settled in Japan in 1956. He studied Oriental painting at Seoul National University and he graduated from Nihon University, Tokyo, in 1961, with a degree in philosophy. Lee was particularly fascinated with Friedrich Nietzsche, Martin Heidegger and Nishida Kitaro, and their philosophical thoughts became the basis of his artwork and theory of the ...

Article

Mayching Kao

Chinese painter, poet, critic, Curator and art educator, active in Hong Kong and the USA. Wong settled in Hong Kong in 1946, becoming a pioneer in the avant-garde literary movements of the late 1950s. At the same time, he studied Chinese painting with Lui Shou-kwan...