Beninois installation artist. He studied law in France, and it was not until he returned to Benin in 1971 that he became an artist, by accident. Considered mad by his family, he was sent to a psychiatric hospital a few times before encountering Jean Michel Rousset, a young Frenchman who reassured him about his talent. In his compound Adaeagbo creates an ever-changing assemblage of found materials: sculptures, stones, clothing, newspapers. New materials are added, and old objects are rearranged. These creations function as historical documents of his times, as well as of particular days, as he works each day after his walks. His work has been described as reflecting and evoking the ‘madness in words’: the inability to understand words, and the conflicts that arise from this lack of understanding. It can also be seen as a comment on his own life and the suffering of a misunderstood artist. In Adaeagbo’s smaller pieces, objects are combined with a greater emphasis on symbolic intent than aesthetic concerns. He has exhibited at the Institut Claude-Nicolas Ledoux (...
Beninese, 20th century, male.
Born 1942, in Cotonou.
Adéagbo formerly studied law in France. On the death of his father, he returned to Benin in 1971. He has not followed the traditional 'head of the family' role by choosing a dependable profession, but rather spends his time creating what the art milieux in the West call installations. He has been sectioned on several occasions at the request of his family. It has taken him several years to be able to assert his way of living....
Togolese, 20th – 21st century, male.
Born 12 February 1977, in Lomé.
Painter (mixed media).
Félix Agbokou studied under Sokey Edoth between 1996 and 1999. He abandoned realism in favour of depicting a fantasy world, and his paintings are spontaneous to the extent that they have no predefined theme. Painted at night and by candlelight, each series of paintings is directly inspired by its immediate surroundings: Lomé, Kouma, Abouri or Ghana. Agbokou uses materials that come readily to hand - leaves of indigenous plants or the bark of local trees - and mixes them with acrylic paint, outlining his forms and individual colours with a black line obtained from a mixture of coconut milk and old nails. His work has featured at group exhibitions, including the ...
Beninese, 20th – 21st century, male.
Painter (mixed media).
Simplice Ahouansou is self-taught. In a manner that shows affinities with Surrealism, some of his paintings comment with irony on certain aspects of modern Western civilisation, such as communication, or protection of private property, while other works seem more firmly anchored in the artistic traditions of his native country of Benin....
French painter, sculptor, photographer, film maker, writer and installation artist of Algerian birth. Born to Spanish parents, he was much affected by North African as well as Southern European culture. He trained at the Ecole des Beaux-Arts in Le Havre. Despite a pervasive and diverse use of media, Alberola often stressed the coexistence of his different artistic practices as leading to painting alone. His paintings relied heavily on evocative narratives, at once personal and ‘historical’. Alberola conceived of his role as a storyteller, on the model of African oral cultures. Convinced that narratives could not be renewed, he argued that a painter’s main task was to reactivate his work through contact with his pictorial heritage. The main points of reference for his paintings of the early 1980s were Velázquez, Manet or Matisse, whose works he quoted in a personal way. In the early 1980s he undertook a series of paintings inspired by mythological subjects, which he combined with his own history as the principal subject-matter of his work. The biblical story of Susannah and the Elders as well as the Greek myth of Actaeon provided his most enduring subjects, both referring to the act of looking as taboo, as in ...
South African sculptor and installation and multimedia artist. Though Alexander trained as a sculptor at the University of the Witwatersrand, earning a Bachelor in Fine Arts in 1982 and a Masters in 1988, she nevertheless pursued a variety of artistic disciplines, regularly employing photomontage and sometimes using video in her practice. While working towards her Masters’ degree, she produced ...
South African, 20th–21st century, female.
Born 1959, in Johannesburg.
Photomontage artist, sculptor of assemblages, installation artist.
Jane Alexander completed a Master of Arts in Fine Art at the University of the Witwatersrand, Johannesburg, in 1988. She has been professor at the Michaelis School of Fine Art, University of Cape Town, since ...
Angolan, 20th – 21st century, male.
Active in Belgium from 1987.
Born 8 August 1963, in Luanda, Angola, of Portuguese origin.
Painter, collage artist, installation artist.
Fernando Alvim has lived and worked in Luanda, Brussels and Johannesburg. In Brussels he founded Camouflage, Europe's first centre of contemporary African art, the counterpart of the centre in Johannesburg. His work derives from memory, particularly of the war liberating Angola from colonialism, a war whose horror and misery he lived through. A particular vision of African tradition expresses itself through his painting....
Carol Magee and Kimberly Bobier
Angolan sculptor, installation artist, and curator. Alvim began exhibiting internationally in the 1980s, at such shows as Africus, the 1995 Johannesburg Biennale; the 1997 Bienal de Havana; and Dak’Art ’98. His mixed-media pieces are powerful, haunting works through which he explores the memories and scars left by the trauma of growing up in a war-torn country. He generally evokes life in Luanda: displaced peoples, failed hopes, the patchwork organization of the urban space. In his overwhelmingly dark scenes, neon light illuminates found objects surrounded by canvas or metal, often superimposed with photographic images, creating a psychological intensity. Crosses, skulls, and maps predominate in his work of the early 1990s. In ...
American painter, sculptor, fibre and installation artist of Egyptian birth. Amer, one of the few young artists of African origin to gain prominence in the late 1990s international art scene, studied painting in France at the Villa Arson EPIAR, Nice (MFA, 1989), and the Institut des Hautes Etudes en Art Plastique, Paris (...