Descriptive term applied to a style of decorative arts that was widely disseminated in Europe and the USA during the 1920s and 1930s. Derived from the style made popular by the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris in 1925, the term has been used only since the late 1960s, when there was a revival of interest in the decorative arts of the early 20th century. Since then the term ‘Art Deco’ has been applied to a wide variety of works produced during the inter-war years, and even to those of the German Bauhaus. But Art Deco was essentially of French origin, and the term should, therefore, be applied only to French works and those from countries directly influenced by France....
Decorative style of the late 19th century and the early 20th that flourished principally in Europe and the USA. Although it influenced painting and sculpture, its chief manifestations were in architecture and the decorative and graphic arts, the aspects on which this survey concentrates. It is characterized by sinuous, asymmetrical lines based on organic forms; in a broader sense it encompasses the geometrical and more abstract patterns and rhythms that were evolved as part of the general reaction to 19th-century historicism. There are wide variations in the style according to where it appeared and the materials that were employed....
Informal movement in architecture and the decorative arts that championed the unity of the arts, the experience of the individual craftsman, and the qualities of materials and construction in the work itself.
The Arts and Crafts Movement developed in the second half of the 19th century and lasted well into the 20th, drawing its support from progressive artists, architects and designers, philanthropists, amateurs, and middle-class women seeking work in the home. They set up small workshops apart from the world of industry, revived old techniques, and revered the humble household objects of pre-industrial times. The movement was strongest in the industrializing countries of northern Europe and in the USA, and it can best be understood as an unfocused reaction against industrialization. Although quixotic in its anti-industrialism, it was not unique; indeed it was only one among several late 19th-century reform movements, such as the Garden City movement, vegetarianism, and folksong revivals, that set the Romantic values of nature and folk culture against the artificiality of modern life....
German, 19th – 20th century, male.
Born 14 April 1868, in Hamburg; died 27 February 1940, in Berlin.
Painter, draughtsman, engraver, architect, designer, decorative artist, graphic designer. Posters, furniture, wallpaper, carpets, glassware, ceramics, table services, jewellery, silverwork, objets d'art, typefaces.
Jugendstil, functional school.
Die Sieben (Group of Seven), Deutscher Werkbund...
French, 20th century, male.
Born 7 March 1912, in St-Étienne; died 5 December 1995, in Paris.
Painter, watercolourist, engraver, lithographer, illustrator, medallist. Wall decorations, designs for tapestries, designs for mosaics, designs for stained glass, frescoes, ceramics.
Jacques Despierre entered the studio of Lucien Simon at the École Nationale Superieur des Beaux-Arts in Paris in ...
Georg Germann, Melissa Ragain and Pippa Shirley
Term applied to a style of architecture and the decorative arts inspired by the Gothic architecture of medieval Europe. It has been particularly widely applied to churches but has also been used to describe castellated mansions, collegiate buildings, and houses. The Gothic Revival has also been described by many scholars as a movement, rather than style, for in the mid-19th century it was associated with and propagated by religious and political faith. From a hesitant start in the mid-18th century in England and Scotland, in the 19th century it became one of the principal styles of building throughout the world and continued in some huge projects until well into the 20th century (e.g. ...
Czech, 20th century, male.
Born 1882, in Prague, to German and Austrian parents; died 1976, in Bad Ischl.
Sculptor, draughtsman, designer. Designs for mosaics, glassware, metal objects, ceramics, fabrics, wallpapers.
Wolfgang von Wersin studied painting and architecture in Prague. In 1901 he settled in Munich where he pursued both of his careers. He was attracted to the quality of Jugendstil, particularly the innovations of Endell or Riemerschmid. He entered the private school founded by Hermann Obrist and Wilhelm Debschitz. He later became a teacher of modelling ...