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Article

Amanus  

male.

Active in the time of Tiberius (?).

Painter.

Ancient Roman.

Amanus is known from an epitaph from the Via Salaria, and was a slave of the Roman historian Gaius Sallustius Crispus (Sallust).

Article

1st century, male.

Active in the time of Hadrian.

Born to a family originally from Aphrodisias in Caria.

Sculptor.

Ancient Roman.

The remains of a Group in marble (Zeus, Poseidon, Helios, Heracles) by Flavius Andronicus, working with a relative, were found in Rome. They are now in the Glyptotek Ny Carlsberg in Copenhagen. The baroque style of the work is reminiscent of the ...

Article

Steven F. Ostrow

Italian sculptor. According to Baglione, he went to Rome from his native Brescia as a youth. He studied anatomy and the art of ancient Rome, and he gained fame for his anatomical models and small bozzetti. His skill as a modeller resulted in several commissions from ...

Article

T. F. C. Blagg

Roman architect. His first known work, and possibly his training, was in military engineering. He constructed the 1135-m-long bridge across the Danube (nr Turnu Severin, Romania) in ad 103–5, between Trajan’s two Dacian campaigns. It had a timber superstructure and arches on huge masonry piers and is represented on Trajan’s Column in Rome. Apollodorus’ treatise on the bridge remains untraced. His other major achievements were in Rome. Dio (LXIX.iv.1) recorded that he built the Baths and Forum of Trajan and an odeum. Substantial remains of the first two survive. The forum, built in ...

Article

2nd – 3rd century, male.

Active in the early Christian period.

Sculptor.

Ancient Roman.

Maetius Aprilis' name and the tools of his trade (hammer and chisel) are preserved on an epitaph in the Catacombs of Priscilla in Rome.

Article

1st century, male.

Active in Rome towards the middle of the 1st century BC.

Painter.

Ancient Roman.

According to Pliny, Arellius used his mistresses as models for his depictions of the goddesses: Itaque in pictura ejus scorta numerabantur, 'And so you can count his mistresses in his picture'....

Article

Mark D. Fullerton

Greek sculptor. He was one of the greatest masters of his time, though referred to only by Pliny. A contemporary of Pasiteles, like him he worked in a variety of media (marble statuary, marble and/or metal vessels) and believed in the value of preliminary models, which were themselves sold at high prices. Arkesilaos was commissioned by ...

Article

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time....

Article

male.

Active during the Roman age.

Sculptor.

Ancient Roman.

His signature ex officina C. At. Auli can be seen on the hip of a figure wearing a toga (Agrippa?) found in the theatre at Merida (Spain).

Article

Charles Buchanan

Type of large-format Bible, usually found in pandect (single-volume) form, produced in central Italy and Tuscany from around 1060 to the middle of the 12th century. They came out of the efforts of a reformist papacy intent on wresting control over ecclesiastical investiture from the Holy Roman Emperor. The Giant Bibles were produced in reformed canonries and monasteries and then exported to the same, not only in Italy but throughout Europe....