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Demeure, Youri 20th century , male . Born 1927 . Painter . A Belgian painter working in Antwerp and influenced by Jean Dubuffet.

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Demeure, Jean-François French , 20th – 21st century , male . Born 10 January 1946 , in Civray (Vienne) . Sculptor . Jean-François Demeure graduated in 1968 with a sculpture diploma from the École Nationale d'Art in Nice and went on to teach at the École des Arts Décoratifs in Limoges, initially lecturing in general culture but subsequently focusing on sculpture. Up to 1982 , Demeure was involved in installations and similar events of an ephemeral nature, one of which was held at the Château St-Jean de Ligoure. Subsequently, he started to work with more durable

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Barlier, Jean Ferdinand French , 18th century , male . Active in Paris. Painter . Barlier appeared on the register of the students at the Académie as a protégé of Demeure.

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1906 , in Heverlee . Painter , illustrator . Étienne de Hennin studied architecture at the academy in Louvain. He depicted the landscapes of Belgium, the Dordogne and Provence in warm colours. He illustrated many books, including Jean Giono's Joy of Man's Desiring ( Que ma joie demeure ) and Alain-Fournier's The Lost Domain ( Le Grand Meaulnes ). Museum and Gallery Holdings Brussels (Bibliothèque royale Albert Ier, Prints Collection)

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Tissier, Jeanne French , 20th century , female . Born 24 August 1888 , in Moulins (Allier) . Painter , pastellist , engraver , illustrator . Jeanne Tissier studied under G. Bruges and P. Thomas. Books illustrated by her include Old Bourbonnais Dwellings ( Vieilles Demeures Bourbonnaises ), Old Bourbonnais Songs ( Vieilles Chansons Bourbonnaises ) and L'Hospice de Beaune , for which she also provided the captions. She exhibited in Paris at the Salon de la Société Nationale des Beaux-Arts from 1923 , at the Salon d'Automne from 1928 , and at Moulins.

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, of absinthe poisoning. Painter , draughtsman . Champagne, a follower and friend of the mysterious occultist Fulcanelli, illustrated the latter's two major hermetic treatises, Mystery of the Cathedrals ( Le Mystère des Cathédrales ) and Dwellings of the Philosophers ( Les Demeures Philosophales ). These works claim that the Gothic cathedrals of medieval Europe contain encoded alchemical and esoteric symbolism in their architecture and decoration. In 1925 , Champagne founded a hermetic society known as the Brotherhood of Heliopolis, to which the books are dedicated

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30 May 1991 : Untitled ( ink/paper , 27½ × 39¼ ins/70 × 100 cm) SEK 12,000 Stockholm , 10-12 May 1993 : Scales ( aluminium , h. 8¼ ins/21 cm) SEK 9,500 Stockholm , 30 Nov 1993 : Progress ( 1966 , aluminium , h. 9 ins/22 cm) SEK 5,000 Bibliography Ostergren, Jan : ‘La Demeure charnelle - Une cathédrale humaine’ in Opus international , periodical, Paris, autumn 1978.

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1930 . From 1937 he produced many illuminations and in 1941 , after meeting Jean Lurçat, he devoted himself to producing tapestry designs. He belonged to the group of tapestry designers founded at the instigation of André Lurçat and represented by Denise Majorel's gallery La Demeure . In 2003 , his works were exhibited with the bronze bestiary by the sculptress Alexandra de Lazareff at Homage to Dom Robert (1907-1997): Aubusson Tapestries, Works on Paper ( Hommage à Dom Robert (1907-1997): Tapisseries d'Aubusson, Œuvres sur Papier ) at Vascoeuil castle in

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siècles ), at the Musée de Mainssieux in Voiron. In 1996 , her work was shown in a retrospective exhibition at the archives of the Isère département in Grenoble. Bibliography Leflaive, Anne : Stéphanie de Virieu , Pavois, Paris, 1947. Leflaive, Anne : ‘Stéphanie de Virieu’ in La Demeure Historique n° 3, periodical, 1975. Stéphanie de Virieu, regards , exhibition catalogue, Archives départementales de l'Isère, Grenoble, 1996. Orillard, René : Le canton de Virieu-sur-Bourbre , Sutton, St-Cyr-sur-Loire, 2002. Femmes peintres en Dauphiné XIXe et XXe siècles , group

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stone' were built entirely unaided, praised by the Surrealists and attract increasing numbers of visitors. Bibliography Gérard, Marie-José : ‘Le Musée imaginaire du Facteur Cheval’ in Le Jardin des Arts , periodical, Paris, November 1956. Ehrmann, Gilles : Les Inspirés et leurs demeures , Le Temps, Paris, 1962. Borne, Alain : Le Facteur Cheval , Robert Morel, Mone, 1969. Verillon, Maurice : ‘Le Palais idéal du Facteur Cheval’ in Gazette des Beaux-Arts , periodical, Paris, September 1970. Monnin, Françoise : Tableaux choisis. L'Art brut , Éd. Scala, Paris, 1997